Johann Sebastian Bach (1685-1750)
Sonate pour viole de gambe en sol majeur, BWV 1027 (trans. pour violon, violoncelle et contrebasse)
Sonate pour viole de gambe en ré majeur, BWV 1028 (trans. pour violon, violoncelle et contrebasse)
Sonate pour viole de gambe en sol mineur, BWV 1029 (trans. pour violon, violoncelle et contrebasse)

Johannes König, violoncelle
Meghan Nenniger, violon
Jean Hommel, contrebasse

Johann Sebastian Bach's three "Gamba Sonatas" (BWV 1027-1029) may be among his best-known works, but in contrast to their popularity, we know little concrete informaion about their composition and possible dedications. A version for three string instruments could appear somewhat unorthodox at first glance, but may in fact be a little closer to its presumed origin. And although the string trio led by cellist Johannes König plays on modern instruments, its interpretation is inspired by insights from historical performance practice. With its version of the "Gamba Sonatas", the ensemble wishes to contribute to a historically informed, yet undogmatic and diverse performance that emulates Bach‘s own joy in experimentation.