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Jonny. Musique de chambre pour saxophone dans les années 1920. Fateyeva, Yoon, Donderer, Hara, Tetzlaff, Simonian, Brill.
Format : 1 CD Digipack
Total Time : 01:12:28

Label : Berlin Classics
Catalog No. : 0301312BC
EAN : 0885470013121
Price Code : DM021A

Publishing Year : 2020
Release Date : 01/04/2020

Genre : Classical
Erwin Schulhoff (1894-1942)
Hot-Sonate

Adolf Busch (1891-1952)
Quintette pour saxophone alto et quatuor à cordes, op. 34

Anton Webern (1883-1945)
Quatuor pour saxophone, op. 22

Ernst Krenek (1900-1991)
Suite, extrait de l'opéra "Jonny spielt auf"

Paul Hindemith (1895-1963)
Trio, op. 47

Kurt Weill (1900-1950)
Extraits de "L'Opéra de quat'sous"

Asya Fateyeva, saxophone
Emma Yoon, violon
Florian Donderer, violon
Yuko Hara, alto
Tanja Tetzlaff, violoncelle
Stepan Simonian, piano
Shirley Brill, clarinette

On her first chamber music album for Berlin Classics, saxophonist Asya Fateyeva looks back to the glory days of her instrument in the Twenties of the last century the sax was the voice of modern salon music and an equal partner to the other instruments of the classical chamber ensemble Even as it enjoyed its heyday dark clouds were gathering on the horizon This is an album that occupies the territory between danceable urban rhythms cultural ostracism and groundbreaking developments in music “ I am totally fascinated by the different ways in which composers use music to talk their own language and express their own world view You almost have the feeling that there must be a few centuries separating them Adolf Busch, Paul Hindemith and Anton Webern treat the saxophone as a sonic medium, virtually as a means to an end Erwin Schulhoff, Kurt Weill and Ernst Krenek employ it essentially to express the zeitgeist and to voice the bitterness the sarcasm and the ambivalent attitude towards life and death that marked the 1920 s Her chamber music partners in crime are Emma Yoon and Florian Donderer on violin Yuko Hara on viola cellist Tanja Tetzlaff, Stepan Simonian at the piano and Shirley Brill playing clarinet ..“The great thing about a chamber recording is that it’s very intimate We are all in equilibrium we all play an equal part in the proceedings It’s not as if I do my thing as a soloist and they are my accompaniment Each musician and each personality is very important Asya Fateyeva has long seen it as her mission to draw attention to the saxophone in classical music With her new album Jonny she sheds light on the moment in time when her instrument was about to take its rightful place in the established line up of instruments

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