Vincenzo Ferroni (1858-1934)
Pièce pour orgue

Giovanni Sgambati (1841-1914)
Benedizione nuziale, op. 30

Francesco Paolo Neglia (1874-1932)
Nostalgia, op. 16
Ave Maria Preghiera, op. 8

Giovanni Battista Polleri (1855-1923)
Fantaisie en fa majeur

Arrigo Cappelletti (1877-1916)
Fantaisie en mi mineur
Aspiration religieuse

Domenico Ballando (1868-1922)
Scherzo
Offertoire

Geremia Plazzano (1841-1921)
Prélude pour orgue

Pietro Magri (1873-1937)
Choral et trois variations

Franco Vittadini (1884-1948)
Chorale
Elevation

Alessandro De Bonis (1888-1965)
Laetitia, finale pour orgue

Ettore Pozzoli (1873-1957)
Prélude

Giordano Noferini (1934-1977)
Contemplation

Giuseppe Cicognani (1879-1921)
Domine, Exaudi Vocem Meam, op. 65

Lorenzo Perosi (1872-1956)
Prélude en fa majeur

Luigi Bottazzo (1845-1924)
Andante Cantabile en si bémol majeur
Allegretto pastoral, op. 120 n° 3

Andrea Toschi, orgue (Orgues Vittino, 1882 et Vegezzi-Bossi, 2019)

The organist Andrea Toschi with this work continues the musical research he started with his two previous record productions - The mystical violin between the nineteenth and twentieth centuries (tc.870002) and Divertimento italiano - Music for harmonium and piano in the nineteenth-century salons (tc. 850004) - aiming to search within the forgotten heritage brought to light through a demanding research activity. The repertoire features composers that in the period of the early twentieth century adhered to the new impulse given by the Cecilian Movement strongly reacting to the domination of the theatrical style that during the nineteenth century ‘contaminated' the liturgicalmusic. The vast anthology of pieces presented in this double cd offers to us an interesting perspective of the Italian organ background animated by the spirit of the reform. The use of the Vittino Vegezzi- Bossi 1882-2019 organ gives the performance the correct aesthetic from the point of view of a philological and historically correct performance practice.