Anonyme (Après 1750, République Tchèque)
Sonate en trio avec trompette
Sonate pour 2 violons
sonate en trio
Chaconne a 3 choeurs
Magnificat

Johann Schmelzer (1623-1680)
Sonate n° 2 a 5
Ballet a 4

Wolfgang Ebner (1612-1665)
Laudate Dominum omnes gentes I
Laudate Dominum omnes gentes II
Beatus vir

Henricus Aloysius Brückner (17ème siècle)
Sonate a 4

Johann Joseph Flixius (?-1709)
Laudate pueri

Marco Uccelini (1603-1680)
Sinfonia n° 2
Sinfonia n° 19

Ignatio Donati (?1575-1638)
In te Domine speravi
Gaude Maria virgo

Francesco Turini (1589-1656)
Sonate n° 1 a 2
Desidero te millies

Tarquinio Merula (1572-1665)
Ego flos campi

Giovanni Picchi (1572-1643)
Canzon n° 4 a 2
Canzon n° 5 a 2

P.A. Mariani (17ème sicèle)
Canzon "La guaralda"

Horatio Tarditi (1602-1677)
Jesu care

Giovanni Giacomo Arrigoni (1597-1675)
Vulnerasti cor meum

Giovanni Paolo Cima (?1570-1622)
Caprice a 4

Salomone Rossi (1570-1630)
Sonate en doalogue "La Viena"

Biagio Marini (1579-1665)
Sinfonia "La Martinenga"

Mario Capuana (?-1647)
Ecce panis

Alessandro Grandi (1586-1630)
"Osculetur me", pour alto seul (voix), violon, viole de gambe, chitarone et orgue
"Vente filii", pour cornet, violon, viole de gambe, chitarone et orgue
"O intermerata", pour voix, chitarone et orgue
"Deus miseratur nostri", pour 3 violons, viole de gambe et orgue
"Caecilia", pour voix, chitarone et orgue
"O dulce nomen Jesus", pour ténor seul, chitarone et orgue
Sinfonia a 4 pour 2 violons, viole de gambe, violone, chitarone et orgue
"Salvum me fac Domine a 2", pour voix, chitarone et orgue
"Bone Jesu", pour 2 ténors, 2 violons, viole de gambe, chitarone et orgue
"Veni Sancte Spiritus", pour alto sel (voix), 2 violons, viole de gambe, chitarone et orgue
"O quam speciosa", pour voix seule, 2 violons, viole de gambe, chitarone et orgue

Giuseppe Scarani (?-?1642)
Sonate n° 1 a 2 pour 2 violons, viole de gambe et clavecin
Sonate n° 3 a 2 pour 2 violons, viole de gambe et clavecin

Carlo Milanuzzi (?-1647)
Canzon a 5 "La Zorzi", pour 2 violons, 2 violes de gambe, chitarone et orgue

Giovanni Legrenzi (1626-1690)
Sonate "La squarzona", pour 4 violons, viole de gambe, violone, chitarone et clavecin
Sonate "La Cremona", pour 4 violons, viole de gambe, violone, chitarone et orgue
Sonate "La Marinona", pour 3 violons, 2 violes de gambe, chitarone et orgue
Sonate "La Rosetta", pour 2 violons, viole de gambe, chitarone et orgue
Sonate n° 1 pour 4 violons, violoncelle, chitarone et orgue
"O dilectissime Jesu", pour voix, 2 violons, violoncelle, chitarone et orgue
"Hodie colletantur", pour 2 voix, chitarone et orgue
"O vos qui inter", pour basse (voix), 2 violons, violoncelle, chitarone et orgue
"Non susrate", pour voix, 2 violons, viole de gambe, chitarone et orgue
"Humili voce", pour 2 voix, basse (voix), chitarone et orgue
"Omnes gentes", pour voix, 2 violons, viole de gambe, violone, chitarone et orgue

Adam Vaclav Michna (1600-1676)
Christmas Magnet and Archer
Christmas morning dew
Christmas cradle
Christmas delight

Alessandro Poglietti (?1600-1683)
Sonate a 4 en ré majeur
Sonate a 4 en sol majeur

Vaclav Karel Holan Rovensky (1644-1717)
Fall asleep, fall asleep, venerable Rosebud
To little Jesus, beloved
Delightful doves of the Ark
when the whole world was described

Andrea Bertali (1605-1669)
Sonatella n° 4 a 5
Sonatella n° 5 a 5

Andreas Hammerschmidt (1611-1675)
Padouane a 5

Bedrich Bridel (1619-1680)
Listen, O christian
visit us, o lovely child

Musica Antiqua Praha
Pavel Klikar, direction

When musician and musicologist Pavel Klikar founded his new ensemble, the Musica antiqua Praha, in 1982, it was truly a revelation and a breath of fresh air in the stale atmosphere – not only in terms of music performance – of the country conserved by a totalitarian regime. Klikar would look for, study and reconstruct period instruments, create an archive of scores and convey the magic of Baroque tuning systems to musicians. Previously unknown music of the Italian Early Baroque began to be performed in churches – played on period instruments and sung with purity, humility and lightness, without any impasto layers of quasi-Romantic emotionality. The ensemble was inspired by encounters with important music figures, such as Reinhard Goebel, Christopher Hogwood, Peter Holman and Andrew Parrott. Klikar managed to fascinate and win for his vision extraordinary singers and musicians, who would later found their own ensembles and become established among the best in the world of early music. The MAP recorded five albums for Supraphon with repertoire ranging from the Italian Early Baroque (Grandi, Legrenzi) to the unique treasures preserved at the Kromeríž Archbishop’s Archive to sweet and poetic Christmas songs from Czech Baroque hymn books. Although the ensemble no longer exists, there is something timeless in its recordings that does not allow us to think of them as “archival.” What still captivates the listener today and offers an ethereal experience is their humility, grace, deep contemplation and breath-taking purity.