Kara Karayev (1918-1982)
24 Préludes pour piano
Six Pièces pour enfants
"The Statue in Tsarkoye Selo", Portrait musical pour piano
"Don Quichotte, Symphonic Engravings", arr. pour piano

Elnara Ismailova, piano

Kara Karayev (in Azerbaijani: Qara Qaraev) is an ou tstanding composer of the 20th century whose legacy is acknowledged and acclaimed far beyond the borders of Azerbaijan, his native country. With melodies that sing while telling a story, his music’s moving, unforgettable expression is colored by modern, extremely expressive harmonies. All of this makes K arayev’s art exceptionally complex: he succeeds in creating a universe of sound that captivates the audience. The national music of Azerbaijan is firmly rooted i n the traditional modal genre of mugham , which has its own special musical language. When Karayev was still quite young, he profited from the teaching of composer Uzeyir Hajibeyov, the founder of classical Azerbaijani music (Hajibeyov used mugham in his 1908 opera Leyli and Majnun and wrote the book The Principles of Azerbaijani Folk Music ). Karayev studied violin and piano at Baku Conservatory, and went on to study composition at Moscow Conservatory in the class of Dmitri Shostakovich, who always held Karayev in highest esteem.