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Classica de mai 2024 Critique de Gérard Belvire Page n° 95
Format : 1 CD Durée totale : 01:13:22
Enregistrement : 2022-2023 Lieu : Hilversum Pays : Pays-Bas Prise de son : Studio / Stereo
Label : Challenge Classics Référence : CC72985 EAN : 0608917298529 Code Prix : DM019A
Année d'édition : 2024 Date de sortie : 10/04/2024
Genre : Classique
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Wolfgang Amadeus Mozart (1756-1791) Concerto pour piano n° 11 en fa majeur, K 413 Concerto pour piano n° 12 en la majeur, K 414 Concerto pour piano n° 13 en do majeur, K 415
Ben Kim, piano Concertgebouw Chamber Orchestra
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Concertos No. 11, 12, and 13 were Mozart’s first Concertos written upon moving to Vienna from Salzburg. In a letter addressed to his father Leopold, he described them as “a happy medium between too easy and too difficult; very brilliant, pleasing to the ear, and natural, without being vapid.” By then, Mozart was free of his father’s dominating presence. He wrote them to win over Vienna, and they did, firmly establishing him as Europe’s premier composer. But with these pieces, he was also seeking confirmation from his father. And the desire for parental approval is a basic one. Indeed, there are many moments in the Concertos, whether sublime or gallant or majestic, where one still feels a sense of child-like wonder.
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