FrançaisEnglish
Advanced Search
Top  Catalog  Our Labels  Classical  Evil Penguin  EPRC0040
MY ACCOUNT
MY WISHLIST
SHOPPING CART
Categories
Labels
Information
Bach : Partitas pour violon n° 1 à 3. Roth.
Diapason from June 2022
Review de Jean-Michel Molkhou
Page No. 77
Format : 1 CD Digipack
Total Time : 01:21:54

Recording : 2021
Location : Ochsenhausen
Country : Allemagne
Sound : Stereo

Label : Evil Penguin
Catalog No. : EPRC0040
EAN : 0608917722727
Price Code : DM019A

Publishing Year : 2022
Release Date : 13/04/2022

Genre : Classical
Johann Sebastian Bach (1685-1750)
Partita pour violon n° 1 en ré mineur, BWV 1002
Partita pour violon n° 2 en ré mineur, BWV 1004
Partita pour violon n° 3 en mi majeur, BWV 1006

Linus Roth, violon

Voici donc les trois Partitas dont Alain Letrun appelait la venue lors de la parution des trois sonates en 2021. Peut-on imaginer musiques plus adaptées au confinement que ces six-là, ou que les suites pour violoncelle ? L’introspection la plus profonde y côtoie une sorte de joie éthérée qui n’est pas de notre monde d’aujourd’hui, plutôt agité et futile. On retrouve dans ce disque les caractéristiques évoquées pour les sonates qui partagent ces affects : respect du texte, humilité, attachement au beau son, le Stradivarius de Roth a quelque chose à nous dire et le fait avec finalement un certain classicisme. Mais la manière dont il s’exprime, avec une rythmique implacable qui formate le texte en blocs tous identiques, empêche le discours de se déployer. Dans la Chaconne par exemple, la conclusion ne paraît pas inéluctable et on se dit qu’elle aurait pu arriver à n’importe quel autre moment. Du coup, on est frappé par la modernité de ces partitions qui partagent avec les musiques répétitives une richesse en micro-événements locaux qui masque l’évolution de la forme à grande échelle. C’est à la fois beau et assez perturbant dans ces œuvres si familières : une interprétation qui mérite d’être entendue. (Olivier Eterradossi)

The cycle of six solo Sonatas and Partitas by J.S. Bach is arguably one of the most powerful and most important compositions in musical history. These works have been with Linus Roth since he was nine years old, when he first learned the Gigue from the E major Partita, moving on by the age of twelve to the first Fugue in G minor to tackling at fifteen the Ciaconna, which represents a cosmos in its own right. By seventeen, Roth had finally learned the entire oeuvre for the first time and since then he is fortunate to have been able to grow as a musician through the constant and welcome challenge of interpreting these remarkable works. Bach did not write ‘Six Solos’ on the cover of the score, but instead wrote ‘Sei Solo’ in Italian, which can have two meanings: the word ‘Sei‘ can be translated both as the number six and also as ‘You are’. ‘You are alone’ - Bach is unlikely to have left something so important to chance or to be playing a simple word game. This announcement – if it is even to be seen as a reminder from the composer to the performer - must be taken seriously and Linus has always viewed it as an invitation to interpret the music as freely as the musical text allows, which for him became a guiding principle in his quest for his own interpretation. This recording was made during lockdown, in which all of our lives have had to be reduced to a minimum in almost every area. The chance to renew the intense preoccupation with this miraculous music in preparation for the recording was a huge privilege as it allowed Linus an escape into a spiritual freedom which helped me greatly on a personal level at this time. Not only did Roth's teachers and the interpretations of great violinists have a huge influence on how he plays Bach, but also his preoccupation with the original text and with what is known as ‘historically informed performance practice’, in particular the experience of playing with the type of convex Baroque bow that was used in Bach’s time. Due to its bend and the different weight distribution, it has a different nature to the concave curved bow used today, which leads to a slight decrescendo phrasing where several notes are slurred together towards the tip of the bow. In Linus' opinion, the modern bow suits the modern violin better and enables a wider range of sounds, which is why he tries to translate these Baroque-style experiences to the modern bow. While the slurs and other details in the musical text were not always adhered to in years gone by, further meticulous examinations of the text have resulted in music editions that faithfully reproduce all the details of Bach’s handwriting, yielding fascinating results. In Bach’s hands, the Partita, a series of linked dance movements, is transformed from music with the specific purpose of entertainment into art music.

.  Write Review
Customers who bought this product also purchased
L'école française du piano, vol. 8 : Marguerite Long.
L'école française du piano, vol. 8 : Marguerite Long.

Boris Tichtchenko : Symphonie de Dante n° 4. Verbitsky.
Boris Tichtchenko : Symphonie de Dante n° 4. Verbitsky.

Brahms : Concertos pour piano n° 1 et 2. Tirimo, Sanderling, Levi.
Brahms : Concertos pour piano n° 1 et 2. Tirimo, Sanderling, Levi.


Reicha : L'œuvre pour clarinette et quatuor à cordes. Magistrelli.
Reicha : L'œuvre pour clarinette et quatuor à cordes. Magistrelli.


Cage Edition, vol. 54 : Œuvres pour piano - Cheap Imitation. Takahashi, Lancaster, Shively.
Cage Edition, vol. 54 : Œuvres pour piano - Cheap Imitation. Takahashi, Lancaster, Shively.


Mozart : Œuvres pour violon, alto et pianoforte. Trio Kuijken.
Mozart : Œuvres pour violon, alto et pianoforte. Trio Kuijken.


Lera Auerbach : 24 Préludes pour violon et piano. Avita duo.
Lera Auerbach : 24 Préludes pour violon et piano. Avita duo.


Dora Pejacevic : Musique pour piano. Litvintseva.
Dora Pejacevic : Musique pour piano. Litvintseva.


Janácek : Jenufa. Nylund, Herlitzius, Skelton, Elgr, Schwarz, Rattle, Michieletto.
Janácek : Jenufa. Nylund, Herlitzius, Skelton, Elgr, Schwarz, Rattle, Michieletto.


Musings. Œuvres pour harpe. Plank.
Musings. Œuvres pour harpe. Plank.


Georg Caspar Schürmann : Jason. Zumsande, Karnite, Witting, Tschumi, Hochman.
Georg Caspar Schürmann : Jason. Zumsande, Karnite, Witting, Tschumi, Hochman.


Vladimir Jurowski dirige Stravinski, vol. 1. Lyddon.
Vladimir Jurowski dirige Stravinski, vol. 1. Lyddon.


Bacewicz, Prokofiev, Pärt : Œuvres pour violon et piano. Slubowska, Francuz.
Bacewicz, Prokofiev, Pärt : Œuvres pour violon et piano. Slubowska, Francuz.


Telemann : Cantates de Pâques. Winkel, Oitzinger, Kooij, Willens.
Telemann : Cantates de Pâques. Winkel, Oitzinger, Kooij, Willens.


Vasks : Quatuors à cordes n° 1, 3 et 4. Quatuor Spikeru.
Vasks : Quatuors à cordes n° 1, 3 et 4. Quatuor Spikeru.


Giovanni Battista Cirri : Sonates et duos pour violoncelle. Montesinos Defes, Breaking Bass Ensemble.
Giovanni Battista Cirri : Sonates et duos pour violoncelle. Montesinos Defes, Breaking Bass Ensemble.


Cage Edition, vol. 47 : L'œuvre pour orgue. Verkade.
Cage Edition, vol. 47 : L'œuvre pour orgue. Verkade.


Franck, Fauré : Sonates pour violon et piano. Lacrouts, Fonlupt.
Franck, Fauré : Sonates pour violon et piano. Lacrouts, Fonlupt.

Order Product

13,92 €
Catalogue Price : 19,90 €
IN STOCK
Ships within 24 hours!
Free Shipping is available for this item
Free Shipping Available!
Click here for more info

ClicMag of the month
ClicMag n°125 - 04/2024
ClicMag n°125 - 04/2024
Label Info
Evil Penguin
All CDs from this label
Label Website
Tell A Friend


Tell someone you know about this product.