Antonio Vivaldi (1678-1741)
Concerto pour flûte en do majeur, RV 443

Johann Jacob Froberger (1616-1667)
Toccata pour orgue n° 6

Michel Lambert (1610-1696)
"Goûtons un doux repos"

Henry Purcell (1659-1695)
"Let us Dance, Let us Sing"

Georg Friedrich Haendel (1685-1759)
"Lascia Ch'io Pianga"

Maria Tanase (1913-1963)
"Lume, Lume"

Johann Sebastian Bach (1685-1750)
Sonate pour flûte et basse continue en mi mineur, BWV 1034

Georg Muffat (1653-1704)
Toccata duodecima et ultima, pour orgue seul

Musique traditionnelle de Bucovine
"Cantec vechi bucovinean"

Musique traditionnelle de Roumanie
"Ungurica argeseana"
"Hora Niculinei"
"Geamparalele ca la nunta"
"Doina din Transilvania"
"Rustemul de la Listeava"
"Brau oltenesc"

Hanspeter Oggier, flûte de pan
Sarah Brunner, orgue

Baroque favourites and Romanian folk melodies arranged for the novel and haunting sonority of pan-pipes and organ. Two previous albums of pan-flute arrangements on Brilliant Classics have served to showcase the technical brilliance and musical sensitivity of the Swiss pan-pipe virtuoso Hanspeter Oggier, and accordingly been met with critical acclaim. In partnership with the Swiss organist Sarah Brunner he now presents an original combination of folk tunes from the home of the pan-pipe with slow arias and quick dances by masters of the Baroque. Panpipes are difficult to tame, but have an incredibly rich palette of timbres. Hanspeter Oggier plays on a pair of soprano and tenor panpipes built by his father Christoph. Having been fascinated by traditional Romanian music since childhood, Oggier grew up with the records of the Romanian panflutist Gheorghe Zamfir, and he studied with the Romanian panflutist Simion Stanciu, alias Syrinx, for ten years in Geneva. Thus he is familiar with the uniquely irregular rhythms of Romanian folk music. The album opens with Cântec vechi bucovinean, a melancholy-laden song from Bukovina. The round-dance Hora Niculinei makes a lively contrast before the Doina din Transilvania, a rhapsodic love song. Such contrasting expressions also infuse the juxtapositions of Handel’s sublime lament Lascia Ch’io Pianga from Semele with one of Vivaldi’s most typically brilliant concertos originally written for flautino and with a merry dance by Purcell. Not all the Romanian pieces have folk origins, however: Lume, lume (in English: Earth, Earth) was written by the Romanian singer Maria Tanase, known as the ‘Piaf of the East’ who died in 1963. The song is full of sorrow for the passing of life and its drifting qualities are ideally suited to the mysterious, airy sounds of the pan-pipes.