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Format : 1 CD Total Time : 01:10:16
Recording : 20-21/02/2024 Location : Klosterneuburg Country : Autriche Sound : Eglise / Stereo
Label : Gramola Catalog No. : GRAM99326 EAN : 9003643993266 Price Code : DM020A
Publishing Year : 2024 Release Date : 30/10/2024
Genre : Classical
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Georg Muffat (1653-1704) Toccata SeptimaPaul Hofhaimer (1459-1537) Salve ReginaJohann Jacob Froberger (1616-1667) Toccata da sonarsi alla leuatione en ré majeurJohann Kaspar Kerll (1627-1667) PassacailleWolfgang Amadeus Mozart (1756-1791) Andante en fa majeur, K 616 "Pour un petit orgue mécanique"Pier Damiano Peretti (1974-) Florete floresGirolamo Frescobaldi (1583-1643) Toccata SestaHeinrich Scheidemann (1595-1663) Magnificat du 6ème ton "Auff 2 clavir Pedahl"Johann Sebastian Bach (1685-1750) Fugue sur le Magnificat, BWV 733
Johannes Zeinler, orgue
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Festival organ, grand organ, monumental organ – when it comes to talk in Klosterneuburg about Johann Freundt’s masterpiece from 1642, people almost exclusively use these superlatives. As the musical jewel of the Augustinian Canons’ monastery Klosterneuburg, it radiates far beyond the borders of Austria and is an important tourist attraction for organ enthusiasts in Central Europe. If intending to portray such a magnificent instrument as the festival organ in the context of a CD, one soon has to deal with the phenomenon of being “spoilt for choice”. If you look at the European repertoire for organ from around 1642, you quickly realize that much of it can be performed very well on Johann Freundt’s Great Organ. Even if you look a few decades or centuries further back, you will still discover pieces in the organ literature that harmonize wonderfully with the festival organ. This portrait CD is intended to give a small insight into the great variety and possibilities of the organ and also demonstrate its modernity. After all, it is up to us whether an instrument is considered modern or not. In the opinion of the author of these lines, this organ can be played much more authentically than many a new organ, on which, in today’s opinion, “anything can be played”. (Johannes Zeinler)
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