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Musique pour orgue à Trente au temps du Comte Matteo Thun. Vebber.
Format : 1 CD
Total Time : 01:08:10

Recording : 01/04/2021
Location : Pomarolo
Country : Italie
Sound : Eglise / Stereo

Label : Tactus
Catalog No. : TC770001
EAN : 8007194107715
Price Code : DM017A

Publishing Year : 2022
Release Date : 20/07/2022

Genre : Classical
Raffaele Nencini (1788-1852)
Sinfonia (Allegro et rondo)

Giovanni Battista Runcher (1714-1791)
Sonate pour orgue

Justin Heinrich Knecht (1752-1817)
Toccata
Caprice

Davide Urmacher (1798-1875)
Messa doppia di seconda classe

Davide da Bergamo (1791-1863)
Suonatina
Sei versetti in fa
Polonaise

Anonyme (Italie, seconde partie du 19e)
Adagio

Fratelli Lombardi (19e siècle)
Ripieno per organo moderno
Sei versetti per il gloria
Suonata per la consumazione
Andante per l'elevazione
Allegro moderato per l'offertorio
Marcia per dopo la Messa

Simone Vebber, orgue (Orgue D. Damiani, 1838)

The unexpected finding, in Trento, in the attic of the former German Ginnasio-Liceo, of a typical military trunk dating back to the FirstWorldWar – which I had bought by pure chance in 1982 in an antique shop – makes it possible for us now to reconstruct a brilliant passage in the musical history of that city. The trunk contained some organ scores that had been written by Davide Urmacher (organist at the nearby church of San Pietro) and played by him, first on the fifteenthcentury organ, then on the organ made in 1862 by Giovanni Battista De Lorenzi, from Vicenza. Together with other scores countersigned by members of the Dall’Armi family, owners of a shop near the Ginnasio in Via San Pietro, this treasure chest has yielded some invaluable organ scores that were in use in the city between the end of the eighteenth century and the first half of the nineteenth. This entire collection, together with others (both public and private) existing in Trentino, provides a complex, varied and wide-ranging picture of the organ music that was being played in that period over the entire territory, with a lively circulation of material. The organist Simone Vebber makes use of a historic nineteenth-century organ in the performance of the compositions in the classic theatrical styles of the time.

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ClicMag n°106 - 07/2022
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