François Cupis de Renoussard (1732-1808)
Airs ajusté pour 2 violoncelles d'après "Les Gentils Airs" de J-P. Rameau et d'après le "Recueil d'Airs choisis" de M. Berteau

Joseph Bodin de Boismortier (1689-1755)
Sonate n° 5, op. 26

Wenceslaus Joseph Spourni (1700-1754)
Sonate n° 1, op. 9
Sonate n° 3, op. 9

Jean-Pierre Guignon (1702-1774)
Sonate, op. 2 n° 1

Jean-Baptiste Barrière (1707-1747)
Sonate, op. 1 n° 2
Sonate, op. 2 n° 3

Louis-François-Joseph Patouart (1719-1793)
Sonate, op. 2

Jean Baur (1719-1773)
Sonate, op. 1 n° 5

Charles-Henri de Blainville (1711-1769)
Sonate, op. 2 n° 1

B. Giraud (?-1790)
Sonate, op. 1 n° 4

Joseph-Bonaventure Tillière (1760-1790)
Sonate n° 2

Louis-Charles-Joseph Rey (1738-1811)
Sonate, op. 4 n° 4

Jean-Baptiste Canavas l'Aîné (1713-1784)
Sonate, op. 2

Salvatore Lanzetti (1710-1760)
Extraits de "Pièces del Signor Lanchetty"

Jean-Baptiste Sébastien Bréval (1753-1823)
Sonate, op. 12
Sonate, op. 28

Claudio Ronco, violoncelle
Emanuela Vozza, basse
(instruments d'époque)

Twelfth title of our series entirely dedicated to the solo cello in the XVIIIth century, combined with the precedents with the sonatas by Lanzetti, Janson, Duport and Spourni, this collection investigates the fascinating path of the Neapolitan cello school in France and, in parallel, the developments of the musical styles towards the birth of new European music in Classicism. From the bewitching, hypnotic atmospheres of the French Arias to the lively theatricality of the Italian musical imagination, throughout the sixty years preceding the Révolution the cello was certainly one of the most authentic protagonists.