Franz Koglmann Dont Play Just Be Klangforum Wien Pomarico - Btl10191 - Jazz

Franz Koglmann, who likes to cross borders, pursues a dialogue between styles. Using this dialogue, which he consciously allows to include disruptions, Koglmann elegantly and expertly weaves his way along a path that avoids both the classical jazz clichés and the hermetics of e-music. His cool way of bridging worlds is often referred to as the "3rd Vienna School" by critics. On Don't Play, Just Be Koglmann collaborates with one of the world's leading New Music orchestras, the Klangforum Wien, conducted by Emilio Pomárico, and with outstanding jazz soloists. He impressively succeeds in harnessing the traditions of classical modernism and jazz for his very own world of sound. The four movements of the suite Don't Play, Just Be are a dialogue between a jazz quartet the legendary British tenor saxophonist and clarinetist Tony Coe, guitar virtuoso James Emery from New York, Franz Koglmann on the flugelhorn and Klangforum bassist Uli Fussenegger and composed and written processes of European e-music. The dialogue is enhanced by references to a text by Jean Cocteau and the films of Jacques Rivette, as well as hints of French film scores brought in by the accordion and violin. The second section of the CD, entitled Späte Liebe (Late Love), features four songs based on texts by Franz Schuh. Koglmann's music gives a gentle ironic twist to the poems, which are moving in their existential immediacy and are interpreted with great subtlety and virtuosity by the outstanding soprano Ursula Fiedler. The final track on this CD, which is so exemplary of Koglmann's work, is a piece typical of his Monoblue Quartet. Conceived as a signature tune for "Reporters without Borders", it allows Koglmann and his exceptional musicians to highlight once again the essence of Koglmann's music on this CD: a melodious and delicate, smiling melancholy.