 Quelle belle association que celle du pianiste néerlandais Jeroen Van Veen, minimaliste, jouant Ludovico Einaudi dont les œuvres, calmes, simples, répétitives comme un matériau ininterrompu, jettent un charme d'enchantement et de détente sur l'auditeur. Après avoir enregistré en 2013 les sept albums des œuvres d'Einaudi sortis à l'époque, Van Veen complète ce travail avec un nouveau coffret comportant quelques autres œuvres d’Einaudi, notamment celles utilisées dans le cinéma. Dans les films, elles présentent souvent un écho aux âmes troublées et une oasis de calme au milieu de la violence. L'interaction des sons purs, étincelants, chaleureux et mélancoliques invite à oublier l'agitation de la vie quotidienne. Van Veen accomplit ici une prestation remarquable étant donnée la complexité technique de certains pièces qui n'ont rien à envier à celles de Liszt. Tantôt intimes et introspectives, tantôt grandioses et épiques, les compositions d'Einaudi mettent en valeur son mélange unique d'influences classiques et contemporaines : musique à la fois minimale et néo-classique, elle reste simple, mélodique, attrayante et ne doit pas être réduite à une musique de fond même si idéale dans ce rôle. (Mathieu Niezgoda) Among the best-selling composers of our time, Ludovico Einaudi has won a following of millions through his distinctively calm, smoothly unfolding works, which spin unbroken songs from the simplest material and cast a spell of relaxed enchantment over their audience. Jeroen van Veen is the Dutch pianist who has likewise won an international following for his many albums of Minimalist piano music on Brilliant Classics, including a previous collection of Einaudi’s music, ‘Waves’ (9452). ‘Clouds’ is another 7CD collection, which ranges across 30 years of Einaudi’s oeuvre, from the Stanze (‘Verses’) of 1992 to the Underwater collection from 2022. In fact, as a relatively early work, Stanze contains intriguing and uncharacteristic elements: as the composer himself explained, ‘I had one goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind.’ In 2012, Einaudi produced a project called Elements as a tribute to the memory of his mentor and teacher Luciano Berio. Each instrumental song of Elements evolves from a small gesture or motif, evoking a journey through fragmented thoughts and feelings. In a similar way, but on a much grander scale, the Seven Days Walking project of 2019 developed from a walking tour of the Alps, where Einaudi had the idea of observing and evoking the times of day and moods across the cycle of an entire week. This cycle finds the composer at his most bewitchingly minimalist, drawing in the listener to a space of private reflection. The Underwater collection thrives on the interplay of pure, sparkling and warm, melancholic sounds and invites you to forget the hustle and bustle of everyday life. The tempo is restful and the pulse flowing even in a seascape such as ‘Swordfish’. Finally, Jeroen van Veen has selected an album’s worth of Einaudi’s prolific work in the world of film, in which his songs often present a mirror to troubled souls and an oasis of calm amid violence.
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