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Milan Mihajlovic : Œuvres orchestrales. Griffiths.
Format : 1 CD
Total Time : 01:03:06

Recording : 22-25/08/2018
Location : Francfort-sur-l'Oder
Country : Allemagne
Sound : Stereo

Label : CPO
Catalog No. : CPO555296
EAN : 0761203529629
Price Code : DM021A

Publishing Year : 2020
Release Date : 04/03/2020

Genre : Classical
Milan Mihajlovic (1945-)
"Bageteles" pour violon, cordes et clavecin
"Melancholy" pour hautbois, cordes et piano
"Fa-mi(ly)", pour cordes et piano
Elégie pour cordes
"Memento", pour orchestre

Yoriko Ikeya, clavecin
Jan Mracek, violon
Juliana Koch, hautbois
Robert Starke, piano
Brandenburgisches Staatsorchester Frankfurt
Howard Griffiths, direction

Mikolaj Górecki, Giya Kancheli, Arvo Pärt, and Finnish composers such as Rautavaara and Sallinen have shown that contemporary music can be immediately appealing and emotionally moving, that tonality has not at all said everything. Milan Mihajloviæ definitely has his place on this list of prominent contemporary composers, and it is high time for him to receive due recognition from us in the West. Born in Belgrade, he began teaching in the field of music theory in the music department at the University of Belgrade in 1975, holding positions ranging from assistant to full professor. In 1998 he also began teaching in the field of composition. He was able to bring about a very successful internal musical dialogue between the discourse of the »Polish school« and the classicizing style in 1983 in his Notturni for String Quartet and Wind Quintet, in which richly interrelated nocturnal sound pictures are boldly combined with hidden quotations. Mihajloviæ executed this feat through the practical use of avant-garde and classical compositional techniques rooted in the vertical structures of the »Scriabin mode.« This musical concept for deriving the formal perfection of clear linear construction and skilled instrumentation from a personal expressive world characterizes all the works written by Mihajloviæ since the mid-1980s. The thematic design is often reduced to little core elements – often over ostinato layers and pedal points – from which the motifs and lines of the musical world are created. The composer inspects his masterful compositional technique by »thematizing the thematic procedure,« – in other words: by producing his foundational materials on the basis of a small number of intervals. These core elements, which he employs in manifold and always original ways, are omnipresent in the flow of his music. So much for theory – this music is an absolute listening must!

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