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Bloch, Dvorák : Œuvres pour violoncelle et orchestre. Coppey, Karabits.
Format : 1 CD Digipack
Durée totale : 01:08:30

Enregistrement : 29/08-01/09/2016
Lieu : Berlin
Pays : Allemagne
Prise de son : Stereo

Label : Audite
Référence : AUD97734
EAN : 4022143977342
Code Prix : DM022A

Année d'édition : 2017
Date de sortie : 28/06/2017

Genre : Classique
Ernest Bloch (1880-1959)
Schelomo, Rhapsodie Hébraïque pour violoncelle et orchestre

Antonín Dvorák (1841-1904)
Adagio de "Klid" (Le Calme de la Forêt)
Concerto pour violoncelle en si mineur, op. 104

Marc Coppey, violoncelle
Deutsches Symphonie-Orchester Berlin
Kirill Karabits, direction

Having spent nearly two decades playing solo recitals and chamber music, as well as performing alongside renowned orchestras, Marc Coppey turns to three classics of the cello repertoire. Following the album of cello concertos by Haydn and CPE Bach, audite now presents the second disc with the French cellist. Departing from home: in Schelomo, Bloch examines his cultural and religious roots; in his cello concerto, Dvorák illustrates both his old and his new native countries, whilst the forest scene Klid represents a bridge and also an atmospheric reminiscence. In all three works, the composers look from Europe to America and vice versa: Bloch’s Schelomo was written immediately before his crossing to America; Dvorák composed his B minor Cello Concerto only once he had arrived there. Klid (Silent Woods) sits in between: before departing for America, Dvorák arranged this work, originally for piano duet, for cello and piano, to be played during his farewell tour. In this format, the piece became so popular that he went on to produce an additional version for cello and orchestra. Antonín Dvorák and Ernest Bloch provide clear performing instructions, but also demand a high degree of free interpretation. Marc Coppey manages to realise both of these aspects, maintaining a convincing balance and communicating intensively with the orchestra. He does not need to demonstrate his virtuosity through overly hasty tempi: instead, he follows the recommendations found in the scores. This greatly benefits the clarity, vividness and eloquence of his interpretations. The Deutsches Symphonie-Orchester Berlin and Kirill Karabits prove congenial partners.

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