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Vivaldi : Il Cimento dell' armonia e dell' inventione, op. 8. L'Arte dell' Arco, Guglielmo.
Diapason from April 2016
Review de Roger-Claude Travers
Page No. 105
Classica from April 2016
Review de Jérémie Bigorie
Page No. 109
Format : 2 CD
Total Time : 01:48:45

Recording : 19-27/01/2014
Location : Padoue
Country : Italie
Sound : Eglise / Stereo

Label : Brilliant
Catalog No. : BRIL95045
EAN : 5028421950457

Publishing Year : 2016
Release Date : 01/01/2016

Genre : Classical
Antonio Vivaldi (1678-1741)
Les Quatre saisons
Concerto pour violon n° 5 en mi bémol majeur, RV 253 "La Tempesta di mare"
Concerto pour violon n° 6 en do, RV 180 "Il piacere"
Concerto pour violon n° 7 en ré mineuyr, RV 242
Concerto pour violon n° 8 en sol mineur, RV 332
Concerto n° 9 pour hautbois en ré mineur, RV 454
Concerto pour violon n° 10 en si bémol, RV 362 "La caccia"
Concerto pour violon n° 11 en ré, RV 210
Concerto n° 12 pour hautbois en do, RV 449

Pier Luigi Fabretti, hautbois
L'Arte dell' Arco
Federico Guglielmo, violon, direction

The four famous concertos of Il cimento dell’armonia e dell’inventione, Le quattro stagioni (‘The Four Seasons’) have previously been recorded hundreds of times, and have been heard in concert halls around the world since their rediscovery at the beginning of the 20th century. L’Arte dell’Arco and their leader Federico Guglielmo offer a new interpretation of the works by stripping back the embellishments and excessive ornamentation added over the years and reintroducing the essential element of simplicity: there is just one player to a part, thereby revealing the underlying structure and a welcome transparency of sound. The other works of the Opus 8 are similar to the more famous Seasons with their distinguishing titles added by Vivaldi: ‘La tempesta di mare’, like the Seasons, adds an element of nature, while ‘La caccia’ depicts a rural scene not dissimilar to ‘L’autunno’ of the Four Seasons, though this time with a deeply introspective Adagio section. This release also includes two concertos featuring the solo oboe rather than the violin, an instrument particularly well suited to the tessitura of the works, which are less virtuosic than some of the previous concertos. Federico Guglielmo is a highly acclaimed performer of Vivaldi’s music, with many releases already to his name under Brilliant Classics. He has been an active performer on the early music scene for many years, with previous collaborations including the Handel & Haydn Society of Boston and the prestigious Academy of Ancient Music. He is joined by the experienced and lively ensemble L’Arte dell’Arco, as well as soloist Pier Luigi Fabretti, who has previously performed with such ensembles as Concerto Köln and I Barocchisti.

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