Michael Pelzel (1978-)
"Sculture di suono", pour grand ensemble

Michel Roth (1976-)
"MOI", pour grand ensemble

Tristan Murail (1947-)
"Un Sogno", pour ensemble instrumental et synthèse électronique

Georg Friedrich Haas (1953-)
"Introduktion und Transsonation", pour 17 instruments et bande magnétique du compositeur

Nicola Sani (1961-)
"Gimme Scelsi", pour ensemble

Uli Fussenegger (1966-)
"San Teodoro 8", hommage à Scelsi

Fabien Lévy (1968-)
"à tue-tête", pour 9 musiciens spatialisés

Ragnhild Berstad (1956-)
"Cardinem", pour ensemble

Klangforum Wien
Emilio Pomarico, direction
Sian Edwards, direction
Sylvain Cambreling, direction
Johannes Kalitzke, direction

In the project Scelsi Revisited Scelsi’s legendary tape material is for the first time reflected in the medium of art: seven com-posers (Ragnhild Berståd, Georg Frie-drich Haas, Fabien Lévy, Tristan Murail, Michael Pelzel, Michel Roth, Nicola Sani) were commissioned by Klangforum Wien to create new works from Scelsi’s tape music. The results on this album are quite heter-ogeneous: they range from the meticu-lous analysis of the source material and its transfer into the emerging composition to free artistic commentaries. Scelsi Revisited is a conceptual extension of the historical collective working method, thereby accentuating the plural: Scelsi, c’est nous!