Nicola Matteis (?1640-?1707)
Aria amorosa
Aria Malinconica
Ground after Scotch humour

Giovanni Battista Pergolesi (1710-1736)
Sinfonia pour violoncelle et clavecin en do majeur

Domenico Cimarosa (1749-1801)
Sicilienne de la Sonate en la mineur
Allegro de la Sonate en si bémol majeur

Emanuele Barbella (1718-1777)
Sonate n° 6 en sol mineur "Alla Napolitana"

Musique traditionelle baroque du sud de l'Italie
Mamma mi l'ati persu lu rispettu (Sicile)
Lu guarracino (Naples)
Cu ti lu dissi (Sicile)
Oriamu pisulina (Grico)
Tarentelle di Sannicandro (Pouilles)
Ninna nanna (Sicile)
Tarentella Napoletana (Naples)
Aremu rindineddha (Grico)

Fiori Musicali Austria

Irene Coticchio, voix, tambourin
Alenka Brecelj, violon baroque, voix
Carles Munoz Camareno, violoncelle baroque, voix
Marinka Brecelj, clavecin, direction

Baroque world music – Four musicians (a Sicilian, a Catalan, a South Tyrolean of Italian origin with Slovenian roots and a Viennese)meet in Vienna to make music together out of love for Baroque and traditional music from southern Italy. Coming from all points ofthe compass, like the ROSA DEI VENTI – the wind rose, the sounds of violin, cello and harpsichord mingle in an intimate embracewith the intense songs of southern Italian music. With the album “ROSA DEI VENTI”, the ensemble, founded by Marinka Brecelj in2012, draws on the rich musical tradition of southern Italy, which has its roots in various cultures. The focus is on serenades andlove songs in Griko, a language that combines ancient Greek, Byzantine-Greek and Italian elements and is spoken in the MagnaGraecia region of southern Italy’s Apulia (Salento) and occasionally in Sicily. The songs are part of the traditional music of the Greekcolony in Italy. The songs from Sicily are touching with their rough tenderness and are reminiscent of the most diverse Oriental andArabic influences from the Mediterranean region. The album combines music from the southern Italian Renaissance and Baroqueperiods with folk songs, with various versions of the tarantella adding a dance-like note to the program.