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Beethoven, Mozart : Trios à cordes. Trio Grumiaux. (1966)
Diapason from September 2015
Review de Gérard Condé
Page No. 140
Format : 1 CD
Total Time : 01:16:52

Recording : 08/06/1966
Location : Schwetzinger
Country : Allemagne

Label : Hänssler Classic
Catalog No. : HAN93727
EAN : 4010276027775

Publishing Year : 2015
Release Date : 27/05/2015

Genre : Classical
Ludwig van Beethoven (1770-1827)
Trio n° 1 en sol majeur pour violon, alto et violoncelle, op. 9

Wolfgang Amadeus Mozart (1756-1791)
Duo pour violon et alto en sol majeur, KV 423
Divertimento pour violon, alto et violoncelle en mi bémol majeur, KV 563

Trio Grumiaux
Arthur Grumiaux, violon
Georges Janzer, alto
Eva Czako, violoncelle

One has no problem naming off the famous String Quartet ensembles, however, String Trios simply cannot make the same boast! Even on the repertoire of the side, composers have produced many more significant quartets than they have string trios. Thus, it was something of a minor miracle when three musicians such as Arthur Grumiaux, Georges Janzer and Eve Czako finally met. This happened on June 8, 1966 at Schwetzingen Castle. The result was a memorable concert from the Belgian-Hungarian Grumiaux Trio. The Belgian violinist Arthur Grumiaux and his two chamber music partner selected one of Beethoven's String Trios, Op.9 and the extensive E flat Major Divertimento by Wolfgang Amadeus Mozart. However, instead of a third trio, the ensemble selected a duo for violin and viola by Mozart. A native of the Belgian Villers-Perwin Arthur Grumiaux (1921-1986) was the authoritative personality of this trio. As one of the leading (and last) representatives of the Franco-Belgian violin school (Eugène Ysaye, Henri Vieuxtemps were the founders) placed Grumiaux as a highly regarded soloist and chamber musician. Together with violist Georges Janzer - a member of the famous Hungarian Végh Quartet - and with his wife, the Hungarian cellist Eva Czako, Arthur Grumiaux has drawn together a flexible and sinuous chamber music Trinity. In this concert, the thematic and motivic characteristics of all the musical voices are vividly present; the lively, tuneful, flowery, and sometimes elegiac trajectories of Beethoven’s G Major trio unfolds and blossoms, the voices forming an organic network of melodic veins in which the music pulses and flows, pausing only briefly to lapse into a reverie. Mozart's String Trio KV 563 was no doubt Beethoven’s model, triumphs with the light, transparency of its dancing and singing figures. In a word, this a most memorable concert that will welcome repeated listening.

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