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Johann Friedrich Doles : Six sonates pour clavier. Kim.
Format : 1 CD
Durée totale : 00:59:21

Enregistrement : 24-25/09/2016
Prise de son : Stereo

Label : Brilliant Classics
Référence : BRIL95454
EAN : 5028421954547
Code Prix : DM009A

Année d'édition : 2018
Date de sortie : 04/07/2018

Genre : Classique
Johann Friedrich Doles (1746-1796)
Sonate pour clavier n° 1
Sonate pour clavier n° 2
Sonate pour clavier n° 3
Sonate pour clavier n° 4
Sonate pour clavier n° 5
Sonate pour clavier n° 6

Jenny Soojin Kim, pianoforte

A world premiere recording of stylish, ‘galant’ keyboard sonatas by a contemporary of CPE Bach. The six keyboard sonatas played here by Jenny Soonjin Kim are the only known instrumental works by the German composer Johann Friedrich Doles, Jr., as well as the only compositions of his ever to be published. Born in Freiberg near Dresden in 1746, Doles was a musical prodigy who studied and then practised law in Leipzig. His father was Cantor at the Thomaskirche following the death of Bach’s successor, and there is a recorded meeting between Doles father and son and Mozart, during the latter’s visit to Leipzig in 1789. Doles Jr. himself died in 1796, five years after Mozart, and a year before his father, leaving extant only these sonatas and three vocal pieces. The set of six sonatas shares the fashionable galant style of the period, brought to fulfilment by the most musically innovative of Bach’s sons, Carl Philipp Emanuel. Four of the six sonatas are cast in minor keys, and their movements are brief and vivid in character, including exuberant minuets, flamboyant scherzos, lightningquick finales and even a quirky ‘polacca’ of the kind that JS Bach composed in his First Brandenburg Concerto. This is Jenny Soonjin Kim’s third recording for Brilliant Classics, following two wellreceived albums of keyboard sonatas by another little-known contemporary of Mozart, Leopold Koželuch. Volume 1 of the series (BC94770) is ‘an inspired and inspiring collection,’ according to the All About Jazz reviewer: ‘Pianist Jenny Soonjin Kim plays with an almost Baroque flair well-fitting of the music… The period treatment that Kim brings to the Koželuch sonatas gives them a crisp texture and very nearly tactile character… Kim's performance is commanding and authoritative. The sonics are superb.’

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