George Gershwin (1898-1937)
Rhapsody in blue (orchestration de Ferde Grofé)

Maurice Ravel (1875-1937)
Rapsodie espagnole

Ferruccio Busoni (1866-1924)
Concerto pour violon et orchestre, op. 35a

Luigi Cherubini (1760-1842)
Anacréon ouverture

Paul Hindemith (1895-1963)
Concerto pour piano et orchestre (1945)

Harald Genzmer (1909-2007)
Concerto pour flûte et orchestre de chambre (1944)

Aaron Copland (1900-1990)
Appalachian spring (Ballet pour Matha)

Heinz Tiessen (1887-1971)
Suite Hamlet, op. 30
Suite Salambo, op. 34a
Symphonie n° 2, op. 17 (Die and become)

Reinhard Schwarz-Schilling (1904-1987)
Introduction et Fugue pour orchestre à cordes

Gerhard Puchelt, piano
Siegfried Borries, violon
Gustav Scheck, flûte
Berliner Philharmoniker
RIAS Symphonie Orchester
Orchestre Symphonique de la Radio de Berlin
Sergiu Celibidache, direction

Cette superbe édition spéciale consacrée au chef d’orchestre roumain Sergiu Celibidache présente l’intégralité des bandes originales enregistrées entre 1948 et 1957 et conservées dans les archives de la Deutschlandradio. Les enregistrements originaux regroupés ici donnent un aperçu fascinant de cette culture, largement sous-estimée, de l’interprétation. Nouveau volet de la très remarquée série « Legendary Recordings », cette édition s’accompagne du label "1er Master Release", synonyme de l'excellente qualité des productions d'archives chez Audite et le superbe travail de remasterisation révèle également des détails auparavant cachés et souvent insoupçonnés des interprétations.

This Celibidache edition comprises the entire stock of original tapes recorded between 1948 and 1957 which are kept in the archives of Deutschlandradio. Original recordings which were officially deleted but which partly survive in private archives have not been included due to their lesser quality. The recordings in this edition offer a fascinating insight into an under-estimated culture of interpre­tation.The production is part of our series “Legendary Recordings“ and bears the quality feature “1st Master Release“. This term stands for the excellent quality of archival productions at audite. For all historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, which attain an astonishingly high quality, even measured by today‘s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally competent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based on private recordings from broadcasts or old shellac records cannot be compared with these.