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Smetana : Libuse, opéra. Podvalova, Muz, Zitek, Vojta, Veverka, Talich.
Format : 1 CD
Total Time : 00:54:24

Recording : 29/05/1939
Location : Prague
Country : République Tchèque
Sound : Live / Stereo

Label : Supraphon
Catalog No. : SU4279
EAN : 0099925427924
Price Code : DM017A

Publishing Year : 2020

Genre : Classical
Bedrich Smetana (1824-1884)
Libuse, opéra en 3 actes

Marie Podvalova, soprano (Libuse)
Stanislav Muz, baryton (Premysl)
Vilém Zitek, basse (Chrudos)
Josef Vojta, ténor (Strahlav)
Jaroslav Veverka, basse (Lutobor)
Ota Horakova, contralto (Radmila)
Josef Kirkava, baryton (Radovan)
Prague National Theatre Chorus
Jan Mario Ourednik, direction
Czech Philharmonic Orchestra
Prague National Theatre Orchestra
Vaclav Talich, direction

The recording of the concert performance in Nazi-occupied Prague of Bedrich Smetana’s My Country (SU 4065-2) conducted by Václav Talich, which took place on 5 July 1939, drew considerable attention worldwide (Special Historic Gramophone Award 2012). It seemed that Talich’s discography had thus been rounded off for good. Yet the personal effects of the late soprano Marie Podvalová, renowned for her outstanding portrayal of Princess Libuše, provided yet another gem. A week prior to the mentioned performance of My Country, on 29 May 1939 a recording was made at the National Theatre of Talich’s account of Smetana’s opera Libuše. Fragments of Act 3 have been reconstructed from the miraculously surviving foils (the present CD also contains the 1940 recording of the Overture). In 1939, Libuše’s prophecy in Act 3 of Smetana’s opera must have sounded to Czech ears like an immensely bold declaration of national pride and courage. Although incomplete and far from being perfect in terms of the quality of sound, the recording’s value is truly immense. It is the one and only recording of an opera conducted by Talich, the oldest surviving transmission of an opera performance from the National Theatre in Prague, and the last staging of Libuše during the Nazi occupation before its performances were strictly banned. The audience’s long tumultuous applause and spontaneous singing of the national anthem attest to the moment’s enormous emotional gravity, imbuing the recording with exceptional energy.

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