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Format : 1 CD Durée totale : 00:53:35
Enregistrement : 17-18/11/2023 Lieu : Madison Pays : Etats-Unis Prise de son : Stereo
Label : AVIE Records Référence : AVIE2746 EAN : 0822252274622 Code Prix : DM019A
Année d'édition : 2025 Date de sortie : 01/10/2025
Genre : Classique
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Elisabeth-Claude Jacquet de La Guerre (?1664-1729)Ouverture "Céphale et Procris" Richard Dering (1580-1630)Fantaisie n° 4 Fantaisie n° 6 Salomone Rossi (?1570-1639)Gaillarde "La Norsina" Psaume n° 80 "Emohim Hashivenu" Sonate n° 11 "La Scatola" Leonora Duarte (1610-1678)Sinfonia n° 4 Sinfonia n° 5 Sinfonia n° 7 (trans. J. Kennerley Alfonso Ferrabosco I (1543-1588)In Nomine a 5 William Byrd (1543-1623)The Bells, BK 38 My Lady Nevell's Ground, FK 57 Enrique de París (?-1488)Mi querer tanto vos quiere Ensemble Sonnambula
Jude Ziliak, violon Toma Iliev, violon Amy domingues, viole de gambe ténor Matt Zucker, basse de viole James Kennerley, clavecin Elizabeth Weinfield, viole de gambe ténor, direction
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 Passing Fancy: Beauty in a Moment of Chaos, the AVIE debut by leading New York City early music ensemble Sonnambula, traverses music by several Renaissance composers who were forced to conceal their identities for social, religious or ethnic reasons. Yet their music transcended the disorder surrounding them, flourishing in the intersection of beliefs and styles. Disruption and displacement wasn’t uncommon in 16th-and 17th-centuries Europe. During the Reformation, creative individuals, including composers, were often forced to conceal their identities – for reasons social, religious, ethnic, racial or otherwise. Yet despite – or perhaps due to – the disorder, musical styles and forms flourished, earning the era it’s Renaissance designation and thus creating “Beauty in a Moment of Chaos”. Sonnambula, an ensemble of New York City-based early music luminaries, bestow beauty on their AVIE debut, traversing an aural intersection of beliefs with northern and southern European styles. Here is the beauty of William Byrd and Richard Dering, two Catholics composing in Protestant England; of Leonora Duarte, a Portuguese-Jewish woman forced to live as a converso (“New Christian”), in Antwerp, and Parisian Elisabeth Jacquet de La Guerre, whose lost works have re-emerged with a vengeance in our own time; of the Bolognese Alfonso Ferrabosco the elder who emigrated to England, and Salomone Rossi who unusually set Hebrew texts to Western-style polyphony from his relatively tolerant position in the court of Mantua. The release of Passing Fancy: Beauty in a Moment of Chaos coincides with Sonnambula’s taking up residency at New York City’s newly-renovated premiere museum, The Frick Collection.

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