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Fabian M. Mueller : Monolog
Format : 1 CD
Durée totale : 00:53:01

Label : Unit Records
Référence : UTR4270
EAN : 7640114792700

Année d'édition : 2011
Date de sortie : 21/01/2011

Genre : Jazz
Mann Im Mond
Ghost Train
Vertan
Labyrinth Part A
Labyrinth Part B
Abraxas
Fiebertraum
Hide And Seek
Feuerbach
Perception
Ritter Willfried
Opponent
Irrlicht
Last Privilege
Weltempfänger

Fabian M. Mueller, Piano, Percussion, Melodica, Field Recording

Short experimental miniatures, orchestral sound-cascades, moving grooves, reduction and complexity - surpassing the limits of jazz into new classical music, and from free improvisation to compositional artwork - "MONOLOG" is the solo debut from Fabian M. Mueller. Within Monolog a specially created world is questioned, taken apart and reassembled. Rehearsed perspectives are broken - the focus rearranged. The conscious perception of distance creates unusual interspaces and is the origin for a continuous dialog between the interior and exterior. This conflict within Monolog runs like a recurring fine thread throughout this album. Winning the Work Prize from canton Appenzell Ausserrhoden enabled Fabian M. Mueller to stay in Berlin for six months, immersing himself in the realisation of this solo-album. After intensive work with his trio "FM TRIO" and his two quartets "JALAZZ" and "BOX" he was able to let himself be inspired by the cultural metropolis and concentrate on working on his solo-programme. The recordings took place on the 8th/ 9th February 2010 in the Radio Studio DRS 2 in Zurich under the direction of director Peter Bürli and the sound-engineer Martin Pearson. "MONOLOG", released by the label Unit Records. "Fabian M. Mueller is an impressive young pianist - a talent from whom we will certainly hear more of in the future." Jazz'n'More "An important and new voice on the piano." Unerhört Festival Zurich "The pianist Fabian M. Mueller masters the switch from a European approach to a typical black, percussive phrasing with ease." All About Jazz Italy "Fabian M. Mueller stays so amazingly sovereign during his performance, that one wishes he would play solo in front of his audience more often." St. Galler Tagblatt

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