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Carl Adoph Lorenz : Mélodies choisies, vol. 2. Dondlaska, Hudzovska, Landowski, Halec.
Format : 1 CD
Durée totale : 00:54:36

Enregistrement : 2023-2024
Lieu : Szczecin
Pays : Pologne
Prise de son : Stereo

Label : Acte Préalable
Référence : AP0577
EAN : 5901741655779
Code Prix : DM017A

Année d'édition : 2024
Date de sortie : 01/06/2024

Genre : Classique
Carl Adolph Lorenz (1837-1923)
Polonaise, op. 3
Drei Chorlieder, op. 18
An den Mond
Mailied
Wandrers Nachtlied
Rastlose Liebe, op. 46 n° 2
Gretchen am Spinnard, op. 6
Extraits de "Drei Strandlieder", op. 97
Ein schöner heil'ger Abendfriede
Willkomen, schimmerndes Meer
Paraphrase sur le Lied "Stille Sicherheit" de Robert Franz, op. 26
Ostergesang, op. 91 n° 2
Drei geistliche Terzette für Frauenstimme, op. 42
Licht und Finnsterniss lobet den Herm
Dein Rat, o Gott ist wunderbar
Du hast dich verborgen im finstern Zelt
Drei geistliche Gesänge für gemischten Chor, op. 63
Vaterunser
Verkündigung
Am Kreuzesstamm

Katarzyna Dondalska, soprano
Yana Hudzovska, soprano
Michal Landowski, piano
Chor Kamelrany Akademii Sztuki w Szczecinie
Barbara Halec, direction

Karl Adolf Lorenz, a German composer, organist, conductor. He began his musical education quite early. One of his first teachers for F. Liszt’s pupil – Eugun Nebe, meanwhile his first compositorial role model was C. M. von Weber. At the age of 16 Lorenz moved with his family to Szczecin, where he continued his education at the St. Mary’s Middleshcool and simultaneously developed his musical talent under the watchful eye of Carl Loewe. After 1857 he began his musical studies in Berlin, learning counterpoint, harmony, instrumentation, piano and composing with Friedrich Kiel,. Lorenz was the director of the Music Society in Strasund, and in 1866 returned to Szczecin, replacing Carl Loewe as the metropolitan music director as well as cantor and organist at the Saint Jacob’s church. He was active in Szczecin for 44 years, during that time he manage to establish Szczecin’s Music Society, initiate the construction of the Concert House and developed a broad scale of concert activity around the city. Karl Adolf Lorenz’s works are extremely diverse, and around 100 opuses were published by print. Apart from educational and occasional works, he also composed scenic and concert works, piano and organ music as well as songs. Many of his songs and vocal-instrumental works were composed with the idea of broadening Szczecin’s Music Society’s repertoire.

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