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Jolivet, Martin : Œuvres pour flûte et orchestre. Castellon, Chalvin.
Format : 1 CD Digipack
Total Time : 00:55:29

Recording : 22-26/06/2004
Location : Lausanne
Country : Suisse
Sound : Stereo

Label : Claves
Catalog No. : CLA1818
EAN : 7619931181820
Price Code : DM020A

Publishing Year : 2019
Release Date : 04/09/2019

Genre : Classical
André Jolivet (1905-1974)
Concerto pour flûte et orchestre à cordes
Suite en concert pour flûte et percussions

Frank Martin (1890-1974)
Ballade pour flûte, orchestre à cordes et piano
Sonate d'église pour flûte seule et orchestre à cordes (arr. V. Desarzens)

José-Daniel Castellon, flûte
Jean-Jacques Balet, piano
Les Percussions Claviers de Lyon
Gérard Lecointe
Henri-Charles Caget
Gilles Dumoulin
Arnaud Stachnik
Orchestre de Chambre de Lausanne
Nicolas Chalvin, direction

One being Swiss, the other one French, both have traveled throughout the twentieth century without really knowing each other, nevertheless they have shared an extraordinary amount of similarities. Even though Frank Martin was 15 years older, they have both perished only one month apart at the end of 1974 and have therefore lived in parallel for almost the whole twentieth century. In the same manner, both received a solid musical education at first and later on seen their parents were opposed to their aspirations in making a living as musicians and therefore obliging their sons to choose, at first, an alternative profession to satisfy their families demands. Both composers display in their music a great deal of mysticism or even fervent faith, which is frankly Christian with Martin and much more esoteric when it comes to Jolivet who was passionate about several thesis of Pierre Teilhard de Chardin. They have expressed their spirituality in numerous works that were in terms of form quite conventional for their time (Oratorio, Cantata, Requiem Mass...). However, they have found a way to express it in much more unexpected musical forms, such as Frank Martin’s Sonata da Chiesa to which we will come back later, or Incantations written in 1936, which Jolivet wrote for the Flute alone and whose mystical dimension cannot be missed by anyone nowadays. From a purely musical point of view, either of the two composers have found themselves entirely submerged into any of the so-called avant-garde movements that were predominant in the first half of the twentieth century. Without ignoring the fact that they have both used certain aspects of serialism, they have never completely renounced the concept of tonality and even though they have always stayed attached to the importance of melody, each of them has eventually found their own musical voice that cannot be reduced to any form of neoclassicism. Nonetheless, when considering the incantatory, wild or even violent aspects of André Jolivet’s music, one could consider that he has introduced the concept of Primitivism, if ever this movement even existed in the musical sphere. As most flutists, I am particularly keen on Frank Martin’s music and even more so for André Jolivet’s who has enriched our repertoire. Even though both wrote marvelous pieces for our instrument, their individual approach towards it is quite different.

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