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Francisco Correa de Arauxo : Œuvres pour orgue. Cera.
Format : 2 CD
Total Time : 01:54:33

Recording : 22-24/04/2017
Location : Extremadura
Country : Espagne
Sound : Eglise / Stereo

Label : Brilliant Classics
Catalog No. : BRIL95508
EAN : 5028421955087
Price Code : DM011A

Publishing Year : 2018
Release Date : 04/07/2018

Genre : Classical
Francis Correa de Arauxo (?1576-1654)
Segundo tiento de tiple de septimo tono
Tiento y Discurso de segundo tono
Tiento de dos tiples de septimo
Segundo tiento de quarto tono a modo de canción
Segundo tiento de baxon de septimo tono
Tiento de primero tono
Tercero tiento de tiple de septimo tono
Tiento de sexto tono sobre la Batalla de Morales
Canción Gaybergier
Tiento de tiple de septimo tono
Tiento de duodecimo tono
Tres glosas sobre el canto llano de la Immaculada Concepción
Tiento de quinto tono
Discurso de dos baxones de segundo tono
Tiento y Discurso de tercero tono
Tiento de tiple de segundo tono
Quinto tiento de quarto tono
Tiento de baxon de dezimo tono
Tiento de septimo tono

Francesco Cera, orgue (Orgue de la Renaissance, Eglise Santa Maria, Extremadura, Espagne)

17th-century Spanish toccatas, fantasias and inventions by a master organ composer from Seville. It may be pure coincidence, but in 1626, it was two enlightened intellectuals from Seville – artist Diego Velázquez and composer Francisco Correa de Arauxo, who stood out for their ability to portray a microcosm of human emotions in their work. The surviving body of Correa’s work, the Facultad orgánica, was published in 1626. For its time it remains a remarkably forward-looking collection. It is especially notable for the dissonant harmonies which Correa, as a cleric as well as a composer, aimed to evoke for his listeners the hardships facing them on their path towards a longed-for paradise. Francesco Cera has made a 2CD selection of highlights from the Facultad orgánica. The original volume opened with a collection of tientos, organised as a collection following the 12 modern modes – an exceptional practice in Spanish keyboard music. The first tiento was a calling-card for Correa, revealing his skill at counterpoint by employing thematic inversion and experimenting with different types of imitative technique. Interleaved with the dance-like, freely elaborated tientos are the glosas, which exploit still more virtuosic possibilities of rhythm and colour – Correa himself was evidently a distinguished performer. The result is a collection of still little-known yet dazzling music that will attract the attention of all organ-music enthusiasts. Francesco Cera has made significant contributions to the Brilliant Classics library of 17th-century keyboard music. Among them are albums dedicated to d’Anglebert (BC94793) and an imaginative compilation of Gabrieli, Cabezon and Frescobaldi, ‘The Organ at European Courts’ (BC95240). His recording of Bach’s Orgelbüchlein (BC94639) was chosen by MusicWeb International as a recording of the Month. ‘Francesco Cera plays with that innate rhythm that establishes that irresistible, compelling pulse in Bach… I wouldn’t just want to have one recording of these works … but if I had to reduce to one, it would be Cera.’

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