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Scelsi Edition, vol. 7 : Œuvres pour violon et piano. Fusi, D'Errico.
Format : 1 CD
Total Time : 01:02:43

Recording : 2015-2016
Location : Gand
Country : Belgique
Sound : Studio / Stereo

Label : Stradivarius
Catalog No. : STR33807
EAN : 8011570338075
Price Code : DM021A

Publishing Year : 2017
Release Date : 31/05/2017

Genre : Classical
Giacinto Scelsi (1905-1988)
Suite pour piano n° 6 "I Capricci di Ty"
Divertimento n° 1 pour violon et piano
"L'Âme ailée/L'Âme ouverte", pour piano
"Xnoybis", pour violon seul

Marco Fusi, violon
Anna D'Errico, piano

Giacinto Scelsi (Pitelli, la Spezia, 8th January, 1905 – Rome, 9th August, 1988), the Italian twentiethcentury genius and outsider, was a perceptive intellectual, a singular musician and an author of poems in the French language and of an autobiography that he himself dictated into the tape recorder, and which was only later transcribed. He was composing as early as the twenties, but only seized the attention of the international Neue Musik circles at the beginning of the seventies. Of noble lineage, he received an education based on latin, chess and fencing, without ever studying music in a traditional way. This certainly contributed to creating his eccentricity and that proverbial divergence that still today not only questions the most common Western aesthetic attitudes but makes it, at the very least, reductive to wish to restrict creativity to the channel of coeval tendencies. Scelsi ‘s attitude to research in the twentieth century was, in fact, a consequence of the same, singular attention to cultural relativity of the concepts of sound and music; it derived from that attitude, shrouded in mysticism, which then translated into the desire to have the construction of sound inspired by Vedic philosophy and various other exotic fields of knowledge. This CD is an excellent example of Scelsi’s production, not so much because of the excursus proposed, covering three periods, as the research perspective that it underlies, derived from the study by Anna D’Errico and Marco Fusi of the most recent Scelsi studies and the numerous sources available today. The approach by the two interpreters is oriented to re-discovering Scelsi and placing the opus within the repertoire, beginning from a distance that, even though it is minimal, we could describe as historic.

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