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Quer Bach. Arrangements pour ensemble à cappella d'œuvres de Bach. Ensemble Slixs.
Format : 1 CD Digipack
Total Time : 00:17:54
Sound : Stereo

Label : Raumklang
Catalog No. : RK3305
EAN : 4018767033052

Publishing Year : 2014
Release Date : 01/01/2014

Genre : Classical
Johann Sebastian Bach (1685-1750)
Concerto pour deux violons en ré mineur BWV 1043, Vivace (arr. M. Eimann)
Variations Goldberg, BWV 988 (arr. M. Eimann)
Variatio 7
Variatio 18
Concerto pour hautbois et violon en ré mineur BWV 1060, Adagio (arr. M. Eimann)
Sonate n° 4 pour violon et clavecin en do mineur BWV 1017, Largo (arr. M. Eimann)
Komm, o Tod du Schlafes Bruder BWV 56, Chorus final

Silxs
Katharina Debus
Michael Eimann
Gregorio Hernández
Thomas Piontek
Karsten Mu¨ller
Konrad Zeiner

These singing artists create an awesomely organic, unified sound that even drops the jaws of a cappella masters: A captivated Ward Swingle, founder of the legendary Swingle Singers, praised the band saying, “Your style is unique,” while King’s Singer, Gabriel Crouch, named SLIXS “better than any group (he’s) ever heard!”. Not only that but also its extensive international acclaim makes this sextet currently one of the best vocal ensembles in the world. They were honored with some of the worlds highest awards for vocal art, including Best Jazz Song of the Year (2008) and Best Folk/World Song of the Year (2013) at the CARA (Contemporary A Cappella Recording Award) as well as two Ward Swingle Awards and three Golden Diplomas at “Vokal Total” (2006) in Graz, Austria. The music on this CD QUER BACH was originally developed as a soundtrack for the motion picture “MENSCH KOTSCHIE“ by Norbert Baumgarten. It was the ambition to arrange instrumental music by Johann Sebastian Bach for just the human voice. SLIXS has tried to approach these phenomenal compositions with the SLIXS-own distinct curiousness and delight in playing around, but all along with the respect for the great musical master as a permanent companion. All vocalises appearing on this CD are fififi ctitious. Any resemblance to real languages, living or dead, is purely coincidental.

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