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Liszt : Œuvres pour piano. Larderet.
Diapason from December 2020
Review de Jean-Yves Clément
Page No. 77
Classica from December 2020
Review de Jérémie Bigorie
Page No. 105
Format : 2 CD
Total Time : 01:26:15

Recording : 29-30/10/2019
Location : Schiedam
Country : Pays-Bas
Sound : Eglise / Stereo

Label : Piano Classics
Catalog No. : PCL10201
EAN : 5029365102018
Price Code : DM025A

Publishing Year : 2020
Release Date : 28/10/2020

Genre : Classical
Franz Liszt (1811-1886)
Après une lecture de Dante, extrait de "Année de Pèlerinage II, l'Italie"
La Notte
Schlafos!
La lugubre gondola n° 2
Nuages gris
Ballade n° 2
R.W. Venezia
Funérailles, extrait de "Harmonies poétiques et religieuses"
Unstern!-Sinistre
En rêve

Vincent Larderet, piano

Avec un programme sous titré « Between light and darkness », jusqu’ici rien d’original tellement cette expression résume parfaitement les excès de sublime de la génération romantique. Et Liszt fait presque cas d‘école, tellement ce poète sur-virtuose du clavier, célébrité sans frontière qui finit sa vie dans l’ascèse et le dénuement matériel nous a légués ces tourmentes abyssales mais aussi sa lumière spirituelle sur le clavier du piano. Vincent Larderet nous ravit en dansant sur le piano, dont les basses paraissent plus basses, et les aigus plus aigus, c’est l’effet Liszt, quand on le domine, le piano s‘étend aussi loin que le grave résonne, l’aigu scintille aussi loin que filent les étoiles. Ce n’est pas un disque qui appelle à écouter une rareté du compositeur, mais des jalons de son parcours de vie qui se figent dans cette immense poésie qui frappe en s’extirpant du simple spectacle de difficulté vaincue. Entre lumière et ténèbre , mais on se passe finalement du entre pour juste s’immerger de lumière, et ce même en tanguant sur une lugubre gondole perdue au milieu des nuages gris. (Jérôme Leclair)

Vincent Larderet is a Steinway Artist who has given solo recitals at many of the world’s premier piano festivals and concert halls. He has played chamber music with the likes of Sol Gabetta, Emmanuelle Bertrand and Michel Dalberto, and the present release marks his debut on Piano Classics. His previous albums have explored the hot-house world of Impressionism and late Romanticism, making the intoxicating world of late Liszt a natural progression. Pieces on the edge of silence and tonality such as Nuages gris and Unstern! demand at least as much refined nuance of touch and colour as the major cycles of Debussy and Ravel which Larderet has often performed in public. In his own booklet introduction, the pianist explains that the aim of the album is to capture the unrivalled rainbow of emotions that span Liszt’s protean oeuvre for the piano. His genius in creating the genre of programme music, almost from scratch (with help from Beethoven and Berlioz), is celebrated by the inclusion of the Dante Sonata of 1849, which condenses and transfigures the narrative arc of the entire Divine Comedy within a single 17-minute span. From four years later, the Second Ballade tells a Gothic tale of a night-ride, perhaps also the ancient Greek myth of Hero and Leander in which the hero drowns while attempting to swim across the Hellespont to visit his beloved, with the pianist called upon literally to produce wave upon wave of sound from his instrument in a masterpiece of tone-painting. The Funerailles anticipate the stern and enigmatic utterances of his very late period, condensing his rich harmonies and multi-layered voices to leave an ever-more imposing musical canvas which imbues each single note with significance and the overwhelming presence of mortality. The ‘sleepless’ vision of Schlaflos! Seems to come from another world; Larderet concludes his unique love-letter to Liszt with En rêve, which paints a more consoling dreamscape.

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