 Décédée trop jeune à l’âge de 43 ans, Ida Presti demeure une des plus brillantes guitaristes du XXe siècle, considérée alors comme l’équivalent féminin de Ségovia. Elle forma, avec son époux Alexandre Lagoya, le fameux et emblématique duo de guitare qui connut un succès international sans précédent. Aussi, cet hommage opportunément rendu par la talentueuse Cinzia Milani s’avère amplement justifié et inédit. Cette jeune italienne, enfant prodige de la guitare, comme son modèle, avec seize premiers prix nationaux et internationaux obtenus entre 10 et 18 ans, reprend de nombreuses pièces du répertoire d’Ida Presti ainsi que ses compositions personnelles, telles ses études et la célèbre danse rythmique qui débute le disque. Ce programme original propose aussi la magnifique sarabande de Poulenc et des pièces dédiées comme celles de Duarte, Dessagnes et Morançon. Parcourant les scènes internationales avec un succès grandissant, Cinzia Milani surprend par son jeu très sûr et sa technique soignée mais aussi par un son puissant intégrant de nombreuses nuances. La maturité et la musicalité de son jeu s’inscrivent dans la droite ligne d’une Ida Presti dont la petite fille Isabelle, citée dans le livret, loue avec admiration les qualités exceptionnelles de la jeune interprète. Un brillant hommage! (Philippe Zanoly) ‘One of the greatest guitarists of all time,’ remarked John Duarte in his entry on Ida Presti for Grove’s Dictionary of Music and Musicians. Best-known in posterity as one half of the celebrated Presti-Lagoya duo, she is celebrated on this album as a composer and virtuoso in her own right, half a century after her unexpected death in the middle of a US concert tour, at just 43 years of age. In her booklet-note, Cinzia Milani remarks that she has always considered Presti a rolemodel, not only for her prodigious talent as a guitarist, but as a female musician in a culture and industry still often dominated by male authority. She presents here six studies by Presti herself, a Danse rhythmique and an Etude du matin, and Presti’s tribute to her own hero, Segovia. Just as Presti dedicated the dance to her husband Lagoya, so Milani follows it with two works which he in turn dedicated to her. Then there are various works by composers little known outside guitar circles such as Miguel Ablóniz and indeed Duarte. Through all these works may be traced the joyous personality of Presti herself, summed up by her granddaughter Isabelle in the booklet as ‘elegant nimbleness, luminous musicality and wonderful self-confidence’. She was friends with many of the composers such as Gontran Dessagnes, who wrote his Tendesse for her in 1954. The work by Guy Morançon is a tribute to her memory, composed in the wake of her death. Finally, Milani has written her own tribute, Quattro Mi, in admiration for the extraordinary facility of Presti in holding down the note E (Mi in solfege) on four different strings simultaneously. By its nature, the album is unique in the catalogue, of immediate interest to guitarists and anyone curious about a great artist of the last century.
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