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Airs d'opéras en transcriptions pour trompette et orgue. Santi, Arlotti.
Format : 1 CD
Total Time : 01:09:45

Recording : 01/04/2015
Location : Baricella
Country : Italie
Sound : Eglise / Stereo

Label : Tactus
Catalog No. : TC850003
EAN : 8007194106114
Price Code : DM019A

Publishing Year : 2017
Release Date : 06/09/2017

Genre : Classical
Domizio Zanichelli (19ème siècle)
"Réminiscence" d'après "Rigoletto", opéra de G. Verdi

Gustavo Rossari (1827-1881)
Fantaisie pour cornet à pistons en si bémol majeur, d'après "La Traviata" de G. Verdi

Raniero Cacciamani (1818-1885)
Pot-pourri sur le thème "A te o cara..." extrait de "I Puritani" de V. Bellini

Joseph Forestier (1815-1882)
Fantaisie sur des motifs favoris de "Don Pasquale", opéra de G. Donizetti
Variations sur des thèmes de "Norma", opéra de V. Bellini
Variations sur des thèmes du "Barbier de Séville " de G. Rossini

Giuseppe Verdi (1813-1901)
Adagio

Lodovico Spiga (1835-1887)
Pot-pourri avec variations sur "Le Barbier de Séville", opéra de Costantino Dall'Argine

Jean-Baptiste Arban (1825-1889)
"La cenerentola", air varié sur un air de G. Rossini

Michele Santi, trompette d'époque
Marco Arlotti, orgue (orgue de Adeodato Bossi Urbani de 1874)

The pieces recorded in this CD stem from an all-pervading performance practice that deeply marked out the musical taste of the nineteenth century: that of “transcription”. This practice enabled a widespread dissemination of the most popular opera passages, well beyond the official circuits of the great theatres, and above all into the sphere of holy rites. Arias, cavatinas, cabalettas and symphonies were plentiful everywhere: in many cases they were transcriptions of pieces by well-known composers (it was sufficient to give them a “liturgical” title); more often they were homely elaborations. Almost all these pieces are being performed here for the first time in the modern age; the composers are practically unknown; in their music, famous opera themes are freely mixed with fanciful variations on those themes. The purpose was to reproduce this atmosphere, at once theatrical and sacred, in its entirety, by means of period instruments: a wonderful nineteenth-century organ and a series of precious original brass instruments. In fact Marco Arlotti is sitting the Adeodato Bossi Urbani 1874 organ, and Michele Santi, a specialist in nineteenth-century trumpets, is playing seven different period instruments delivering the best and most characteristic sound to each track.

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