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Format : 1 CD
Durée totale : 01:09:45
Enregistrement : 01/04/2015
Lieu : Baricella
Pays : Italie
Prise de son : Eglise / Stereo
Label : Tactus
Référence : TC850003
EAN : 8007194106114
Code Prix : DM019A
Année d'édition : 2017
Date de sortie : 06/09/2017
Genre : Classique
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Domizio Zanichelli (19ème siècle)
"Réminiscence" d'après "Rigoletto", opéra de G. VerdiGustavo Rossari (1827-1881)
Fantaisie pour cornet à pistons en si bémol majeur, d'après "La Traviata" de G. VerdiRaniero Cacciamani (1818-1885)
Pot-pourri sur le thème "A te o cara..." extrait de "I Puritani" de V. BelliniJoseph Forestier (1815-1882)
Fantaisie sur des motifs favoris de "Don Pasquale", opéra de G. Donizetti
Variations sur des thèmes de "Norma", opéra de V. Bellini
Variations sur des thèmes du "Barbier de Séville " de G. RossiniGiuseppe Verdi (1813-1901)
AdagioLodovico Spiga (1835-1887)
Pot-pourri avec variations sur "Le Barbier de Séville", opéra de Costantino Dall'ArgineJean-Baptiste Arban (1825-1889)
"La cenerentola", air varié sur un air de G. Rossini
Michele Santi, trompette d'époque
Marco Arlotti, orgue (orgue de Adeodato Bossi Urbani de 1874)
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The pieces recorded in this CD stem from an all-pervading performance practice that deeply marked out the musical taste of the nineteenth century: that of “transcription”. This practice enabled a widespread dissemination of the most popular opera passages, well beyond the official circuits of the great theatres, and above all into the sphere of holy rites. Arias, cavatinas, cabalettas and symphonies were plentiful everywhere: in many cases they were transcriptions of pieces by well-known composers (it was sufficient to give them a “liturgical” title); more often they were homely elaborations. Almost all these pieces are being performed here for the first time in the modern age; the composers are practically unknown; in their music, famous opera themes are freely mixed with fanciful variations on those themes. The purpose was to reproduce this atmosphere, at once theatrical and sacred, in its entirety, by means of period instruments: a wonderful nineteenth-century organ and a series of precious original brass instruments. In fact Marco Arlotti is sitting the Adeodato Bossi Urbani 1874 organ, and Michele Santi, a specialist in nineteenth-century trumpets, is playing seven different period instruments delivering the best and most characteristic sound to each track.
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Catalogue 
