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Wojciech Lukaszewski : Mélodies et œuvres chorales. Borowicz, Malewicz-Madey, Mikolajczyk, Stockinger, Borkowski, Bugaj, Lukaszewski.
Format : 1 CD
Total Time : 01:16:00

Label : DUX
Catalog No. : DUX1483
EAN : 5902547014838
Price Code : DM019A

Publishing Year : 2018
Release Date : 01/10/2018

Genre : Classical
Wojciech Lukaszewski (1936-1978)
Trois épisodes funèbres pour soprano et orchestre
Catulli Carmina, pour chœur mixte a cappella
Nazywam ciebie, pour chœur mixe a cappella
Mazowsze, petit poème pour chœur mixte a cappella
Tysiaclecie, pour choeur mixte a cappella
Piesni Ksiezyca, mélodies pour soprano, récitant et 9 instruments
Triptyque pour choeur mixte a capella, mélodie populaire
Piesn o zolnierzach z Westerplatte, Mélodie sur les soldats de Westerplatte, pour choeur mixte a cappella
Nike, Rhapsodie pour choeur mixte a cappella
Ode a Gdansk, pour baryton seul, récitant, clarinette seul, choeur mixte et orchestre

Anna Malewicz-Madey, mezzosoprano
Anna Mikolajczyk, soprano
Janusz Borowicz, baryton
Camerata Vistula
Jan Lukaszewski, direction
Orchestre Philharmonique de Czestochowa
Choeur de Chambre Polonais
Tomasz Stockinger, récitant
Orchestre Symphonique de la Radio de Pologne

13 April 2018 saw the 40th death anniversary of Wojciech Lukaszewski – composer, pedagogue, music critic, animator of the musical culture of Czestochowa. The present CD is released on the occasion of this anniversary in order to recall some of the creative output of the prematurely deceased composer. The choral and vocal-instrumental compositions by Lukaszewski, recorded on the album, constitute a fragment of his varied and rich works. Lukaszewski’s art is characterised by a diversified use of compositional techniques. His works are distinguished by the free use of various compositional techniques, they are unique due to the excellent technique; they are often aphoristic. Lukaszewski’s musical language followed the path of evolution typical of the composers of his generation and developed from neoclassical inspirations, through sonoristic regulation with the use of aleatoric techniques and freely treated dodecaphony up to gradual reduction of the sound language and searching for own forms of creative expression.

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