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Vivaldi : Concertos. Berliner Barock Solisten.
Format : 1 CD

Recording : 1998-2004
Location : Berlin
Country : Allemagne
Sound : Eglise

Label : Phil.harmonie
Catalog No. : PHIL06027
EAN : 4250317416278
Price Code : DM019A

Publishing Year : 2021
Release Date : 01/09/2021

Genre : Classical
Antonio Vivaldi (1678-1741)
Les Quatre Saisons
Concerto en mi majeur, op. 8 n° 1, RV 269 "Printemps"
Concerto en sol mineur, op. 8 n° 2, RV 315 "Eté"
Concerto en fa majeur, op. 8 n° 3, RV 293 "Automne"
Concerto en fa mineur, op. 8 n° 4, RV 297 "Hiver"
Concerto pour violoncelle en si mineur, RV 424
Concerto pour viole d'amour en la mineur, RV 397

Georg Faust, violoncelle
Wolfram Christ, viole d'amour
Berliner Barock Solisten
Rainer Kussmaul, violon, direction

Antonio Vivaldi layed the foundations ofthe classical three-movement concerto form with its alternating ritornelli and episodes and its slow - fast - slow tempo plan. Vivaldi produced an astonishing amount of music. He is currently accredited with approximately 770 compositions. These include 46 operas, of which 21 have survived, 344 solo concerti, 81 concerti with two or more solo instruments and 61 symphonies and ripieno concerti. Le Céne, Amsterdam, published the twelve concerti of his op. 8 in 1925. They appeared under the title: il cimento dell'armonia e dell'inventione (the competition between harmony and discovery"). The title refers to the conflict between balance and innovation: balance, in terms of the clear formal arrangement of each piece, is played off against the innovative, tone painting in the program elements of the concerti. These two qualities (balancea'nd innovation) are particularly evident in the Four Seasans. The twelve concerti are dedicated to the Bohemian Count Wenzel von Morzin, whose orchestra Vivaldi was supplying with new works. The Four Seasans are particularly notable among Vivaldi's program works, because each individual movement of the four concerti develops a narrative idea rather than simply presenting a pragrammatic image. The combination of the concerto form with a programmatic idea is masterful.

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