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Violeta Dinescu : Diary - Tagebuch. Pièces pour flûte. Levine.
Format : 1 CD
Total Time : 01:07:01

Recording : 2014-2015
Location : Berlin
Country : Allemagne
Sound : Stereo

Label : Wergo
Catalog No. : WER7324
EAN : 4010228732429
Price Code : DM021A

Publishing Year : 2016
Release Date : 05/10/2016

Genre : Classical
Violeta Dinescu (1953-)
Aus dem Tagebuch I, pour flûte seule
Blick I, pour 2 flûtes
Die Glocke im Meer, pour flûte et 4 cors
Aus dem Tagebuch II, pour flûte basse seule
Kata, pour flûte et piano
Aus dem Tagebuch III, pour flûte alto seule
Blick IV, pour 4 flûtes
Blick III, pour 3 flûtes
Blick II, pour 5 flûtes
Aus dem Tagebuch IV, pour piccolo seul
Auf der Suche nach Mozart, pour flûte et harpe
Aus dem Tagebuch V, pour flûte contrebasse seule
Ichthys, pour flûte, violon et piano
Blick V, pour 9 flûtes

Carin Levine, flûtes
Stephan Rahn, piano
Cinthya Oppermann, harpe
Susanne Zapf, violon
Quatuor de cors Dauprat

Using sounds to animate thoughts – indeed to “make them dance” – is one of Violeta Dinescu’s fundamental creative motivations: “For me, it is very important that I am moved by music and that I can use music to move others. Music can release something that is out of my control.” Violeta Dinescu’s works for solo flute open up a “wonderland” of sounds. The cycle “Aus dem Tagebuch” is a striking example of this. Along with the five “Blicke” [Glimpses] for two to nine flutes, the five “diary entries” are interspersed among the other works on this CD to create a dramaturgical sequence. What these miniatures have in common is an expressive character that is strongly metaphorical and associative, able to translate the turbulent mood of the diary entries into clear mental images. The gestural and mimicking aspects are underscored by experimental sounds and unorthodox playing techniques such as flutter tongue, breath noises, overblown harmonics, multiphonics, glissandos, various kinds of vibrato, and pitchless sounds. Just as the five “diary entries” are, in Dinescu’s words, “little excursions into the world of the soul,” the “glimpses” allow us a similar view – the musical material of both pieces is closely related. However, while the diary entries place the “world of the soul” under a magnifying glass, the glimpses look at this world from the “distance of memory.”

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