Antonio Vivaldi (1678-1741)
La Folia

Alessandro Piccinini (1566-1638)
Ciaconna in partite variate
Aria di Saravandia in varie partite

Musique traditionnelle d'Argentine (17ème siècle)
La Bolivianita
Te'i de olvidar
Pobre mi negra

Los Hermanos Simon (XXème siècle, Argentine)
Chacarera de un triste

Andrés Chazarreta (1876-1960)
Cuando nada te debia
La Telesita

Biagio Marini (1594-1663)
Passacaille à 4, op.

Los Hermanos Rios
De puro gusto

Atahualpa Yupanqui (1908-1992)
Piedra y camino

Tarquinio Merula (1595-1665)
Chaconne, op. 12 n° 20

Los Hermanos Diaz
La Vieja

Gustavo Leguizamón (1917-2000)
Zamba de Lozano

Abel Mónico Saravia (1928-2008)
Chacarera de Gualiama

Torres y Ferreyra
El siestero

Bach Consort Vienna

Agnes Stradner, violon
Farran James, violon
Daniele Caminiti, luth
Roberto Sensi, contrebasse
Martin Bruhn, percussion
Dominik Richter, percussion
Frzncisco Brito, ténor

Rubén Dubrovsky, violoncelle, charango, direction

The new album of the Bach Consort Vienna, Vidala, focuses on Latin America during the years of colonization, where in the 16th century three different cultures start intermingling: Natives, Spanish conquistadors and African slaves. From Mexico to Argentina there is an explosion of new dances with exciting names like Sarabanda, Zamacueca, Pasacalle and Folia. The recording features instrumental arrangements of traditional melodies and songs from Latin America, performed by Argentinian tenor Francisco Brito, as well as works by Italian composers such as Alessandro Piccinini, Tarquinio Merula, Biagio Marini and Antonio Vivaldi. The Bach Consort Vienna with musical director Rubén Dubrovsky, since its formation in 1999 widely renowned for their authentic performance practice, takes on a journey through time to the roots of European Baroque.