Johann Sebastian Bach (1685-1750)
Prélude "Ratswahlkantate" (trans. De W. Kempff)
Die Seele ruht in Jesu Händen (trans. H. Bauer)

Georges Bizet (1838-1875)
Adagietto de "L'Arlésienne" (trans. L. Godowsky)

Carl Bohm (1844-1920)
Still wie die Nacht (trans. L. Godowsky)

Robert Schumann (1810-1856)
Du bist wie eine Blume (trans. L. Godowsky)

Franz Schubert (1797-1828)
Musique de ballet de "Rosamunde" (trans. L. Godowsky)

Frédéric Chopin (1810-1849)
Valse posthume en ré bémol majeur (trans. L. Godowsky)
Hulanka (trans. F. Liszt)

Bedrich Smetana (1824-1884)
Polka de salon en fa dièse majeur

Adolph von Henselt (1814-1889)
Si oiseau j'étais

Federico Mompou (1893-1987)
Canciones y danzas

Moritz Moszkowski (1854-1925)
Cinq danses espagnoles (trans. A. Ulrich)

Leopold Godowsky (1870-1938)
Triakontameron

Johann Strauss II (1825-1899)
Métamorphoses, extrait de "La chauve-souris" (trans. L. Godowsky)

Ignaz Friedman (1882-1948)
Marquis et Marquise

Dirk Schäfer (1873-1931)
Mainacht

Jacob Leuschner, piano

Once upon a time ... at the heyday of the piano, between 1880 and the Second World War, when nearly every pianist was also a composer and arranger. The distinction between interpretation, arrangement, and composition is not always clear-cut nor decisive – the only important thing is the delightful effect of these gems for piano, which pianist Jacob Leuschner, who has been exploring the repertoire of this "Golden Age of the Piano" for decades, has recorded for his new GENUIN CD. The names Leopold Godowsky, Ignaz Friedman, Federico Mompou can be found there, as well as a premiere recording by the Dutchman Dirk Schäfer. These are intimate piano moments that, played enchantingly and without the noise of shellac records, nevertheless bring their era back to life before our ears.