"Impermanence" is truly a European record. Although the trumpet sound of Giulio Scocchia might make reference to a specificScandinavian framework, it would not be fair to give this work a geographic tag. The work that you are about to listen to relieson thoughtful construction and complex interactions, which make it one of the most beautiful projects of recent time. While thetrumpet suggests passion and warmth, a long journey through the music of the world is narrated by a mix between acousticand electronic sounds, thanks to Luca Fogagnolo and Erik Honorè. Berlin is once again the navel of the world. A place wherebundles of thread of multiple colors unravel to weave webs that continuously evolve. If it is true that everything that exists isimpermanent - as the Buddhist philosophy says - the title of this work could not be more appropriate. If music is sufficientlyunstable to be framed in a moment, the strength of this work is, therefore, its conscious elusiveness. "Impermanence" is notconfined by the requirements of any genre and swiftly travels beyond boundaries. Paolo Fresu