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Renato de Grandis : Movimento perpetuo, Préludes pour piano. Tarallo.
Format : 2 CD
Durée totale : 02:25:37

Enregistrement : 2013
Lieu : Pavie
Pays : Italie
Prise de son : Studio / Stereo

Label : Wergo
Référence : WER6787
EAN : 4010228678727
Code Prix : DM027A

Année d'édition : 2013
Date de sortie : 17/02/2014

Genre : Classique
Renato de Grandis (1927-2008)
Premier cahier, Douze préludes
Deuxième cahier, Douze préludes
Troisième cahier, Douze préludes
Quatrième cahier, douze prélude
Poèmes Frioulans
Sept dernier préludes

Antonio Tarallo, piano

The "Preludi per pianoforte" - four volumes with twelve pieces each - were composed several years after the Venetian composer Renato de Grandis decided in 1987, shortly after his 60th birthday, to stop composing. He then moved back to Italy after having lived in Germany for twenty years and in Brussels for ten years. At that point, he had been a successful composer for many years, when he ranked among the major composers in Europe's avant-garde music scene. During his retreat de Grandis dedicated himself to his philosophical interests; he wrote both prose and poetry, painted, taught and travelled while also immersing himself in Buddhism, the Kabbalah, and theosophy. His withdrawal from composing lasted only a few years, however; it appears travelling led him back to music. In the Introduction to the “Preludi per pianoforte” he wrote: “The characters of the preludes have to do with a great multiplicity of situations, moods, direct experiences, and encounters, which come from a life full of travelling far and wide, a life of uninterrupted learning, research, and discovery, sometimes concerning subjects which are unknown to most people.” The many situations and moods, brought out by de Grandis here, correspond to the compositional variety: Every single one of these pieces which are very free and different in dimension and form presents its own special technical aspect. Considered as a whole, but also in view of his life’s work, one finds in the “Preludes” almost the entire spectrum of de Grandis' musical thought in an extremely restricted space and in spite of their often only miniature-like nature.

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