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Pier Paolo Scattolin : Portrait du compositeur. Kaceli, Troilo, Lorenzoni, Quero, Scattolin.
Format : 1 CD
Durée totale : 01:18:08

Enregistrement : 2018-2020
Lieu : San Lazzaro di Savena
Pays : Italie
Prise de son : Eglise / Stereo

Label : Tactus
Référence : TC941903
EAN : 8007194107388
Code Prix : DM017A

Année d'édition : 2021
Date de sortie : 01/08/2021

Genre : Classique
Pier Paolo Scatolin (1949-)
Estasi
Per non dimenticare
Ulisse
Ottava fuga
Incantesimo sciamanico
Morning
Eleanor Rigby
La pulce
Baccanti
Bagatella in contrappunto
Non ti perderò
Buonanotte
Moon river
Quattro liriche
Alba
Rose in fiamme
Cielo e mare
Sereno
Zodiacus VII
Leo
Virgo
Libra
Scorpio
Sagittarius
Capricornus
Acquarius
Pisces
Aries
Taurus
Gemini
Cancer
Proverbi
Anteo

Sonila Kaceli, voix
Angela Troilo, voix
Simone Spinaci, voix
Antonio Lorenzoni, flûte à bec
Antonio Quero, trompette
Marco Vestiboli, trompette
Giuseppe Monari, orgue
Coro Euridice
Coro da Camera di Bologna
Ensemble Circe (instruments anciens)
Pier Paolo Scattolin, direction

The cd synthesizes some stages characterizing the composition path of Pier Paolo Scattolin: from a cappella vocality to instrumentalism with stylistic dynamics sometimes distant but all having in common the research on sound, from the linguistic phoneme to the eclectic and sometimes experimental use of instrumental emission. The path winds through almost forty years of continuous investigation and dissection of both choral and instrumental sound, the latter of a chamber/soloistic character and in some cases concerted and intersected with the voice. In the a cappella choral repertoire a varied anthology collects poetic and literary texts by Dante Alighieri, Giuseppe Ungaretti, Alda Merini, Umberto Saba, Emily Dickinson, Alessandro Striggio, Agnolo Poliziano, Alceo, Saffo, Ipponatte, Enzo Iacchetti, Agnese Troilo and the composer himself. Some choral pieces are concerted with the Ensemble of ancient instruments Circe from Bologna, whose presence stems from the search for a sound language proceeding towards the stripping and essentiality of a music and a sound coherent with the setting of the poetic texts in order to transfer their instrumental characteristics to contemporary musical expression. In some pieces the solo voices are added as an almost instrumental colour, a timbre enrichment of the sonorities of the organ, the recorders, and the trumpets.

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