 Philip Catherine : un son, Philip Catherine : un homme d’une originalité étonnante, un guitariste qui se nourrit des traditions pour imprimer un style propre; Philip le compositeur, Philip le virtuose, Philip l’artiste perpétuellement à la recherche de nouveauté et de fraicheur. Le présent enregistrement renvoie à son riche vécu musical. Sa plus profonde expression est peut-être dans ses compositions originales où il peint des tableaux musicaux à l’identité sonore très forte. La récente formation qu’il a monté regroupe, en plus de son fidèle complice le bassiste Philippe Aerts, deux jeunes musiciens très talentueux de la nouvelle scène belge : l’excellent pianiste Nicola Andrioli et un jeune batteur de vingt ans, le très doué Antoine Pierre. La présence de Philippe Decock au clavier est déterminante. Elle apporte un supplément d’âme au disque et lui donne une richesse et une profondeur au niveau des sonorités et des textures. La magnifique interprétation tout en délicatesse de « Côté Jardin », grand classique du répertoire de Philip, par sa fille Isabelle, est un vrai beau moment intime, plein de grâce» . (Heyn van de Gein) "Philip Catherine: a sound, Philip Catherine: a man with a stunning originality, a guitarist embracing tradition, but so much finding his own road coming from that tradition. Philip the composer, Philip the virtuoso, Philip the artist searching for more, for something fresh, a new angle. The origin of the CD you hold in your hand goes back into Philip’s musical past. Somehow Philip’s strongest expression might be in his original compositions where he tries to paint musical pictures that each have a strong musical identity. His way of shaping the music in this way can be clearly traced back to his wonderful recording “Transparence” (1986), and one can also observe examples on different albums afterwards. Since a short while Philip created a new band with two young and upcoming musicians on the Belgian scene: Nicola Andrioli (1977),an Italian pianist living in Brussels, is more than a gifted and excellent instrumentalist : he is a strong composer and his sense of always knowing to play what is right for the situation is breathtaking. Drummer Antoine Pierre (1992!) somehow embraces it all: proficient in the modern idiom, yet with the ability to create a loose, deep and flexible swing when needed -a trait that is so very rare with drummers nowadays. Bassist Philippe Aerts (1964) has been on Philip Catherine’s side for almost 20 years and knows like no other how to cement the energy of the other band members into cohesiveness. His role is perhaps subdued, yet so essential in the creation of the music as a whole. The secret ingredient of this record for me is the presence of keyboard player Philippe Decock. His tasteful and often unusual use of sounds give the music a depth in sound and texture. A special word has to be dedicated to Philip’s daughter Isabelle. Isabelle came into the studio to sing one of her father’s classic tunes; “Côté Jardin” with gorgeous lyrics by Jacques Duvall. Her intimate interpretation draws one in. There is a graceful beauty about the way Isabelle delivers the words and the melody, unassuming and delicate, yet strong in its expression."(from the linernotes of the cd by Hein Van de Geyn)
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