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Paul Frick : Hofknicks.
Format : 2 Vinyle 33T
Total Time : 01:14:46

Recording : 2018-2020
Location : Berlin/Paris/Londres/Los Angeles
Country : Allemagne/France/Royaume-Uni
Sound : Studio / Stereo

Label : Col Legno
Catalog No. : BCE16010
EAN : 9120031341901
Price Code : DM039A

Publishing Year : 2021
Release Date : 01/05/2021

Genre : Electronic
Hofknicks
Schöneberg (Gudrun Gut's Home Mischung)
Bankhaus August Lenz (Ketan Batthi's Euronet Mix)
Neo Biedermeier (Daniel Brandt's Version)
Baby Bell (Benjamin Tierney's Botanical Skit)
Gramma And Gregor (Yosa Peit's Piadina Bass Trap)
Allergy Boy (H30H's Basement Boogie & Clara Gusmao)
Karamasow (Tom Rojo Poller's Virtual Recomposition)
Unterschrieben Und Ärger (Eugene vs Larrivière Riddim)
Baby Bell (Benjamin Tierney's Warehouse Weapon)
Church 5 Loop 2 (Lance Gamble's Schleiftein Dub)
Neuro Man (Jan Brauer's Neuroman Re-Dub)
Great Song Title 9 (Kuf's Funked up Jive)
FFO Dorsch (Plankton vs Defcon's False Alert Bomb)
Gotzkowsky Ecke Turm (Daito's Garage Wreck)

Paul Frick

Besides Paul Frick’s involvement in the groups Brandt Brauer Frick and - since 2020 - Tangerine Dream, he has been cultivating his own eclectic projects, very often so in exchange and collaboration with other artists around his workspace in Berlin. Frick’s new album ‚Hofknicks‘ is a kaleidoscopic dedication to the courtyard of that studio collective and to its fluid microcosm of people, animals, plants, stones and concrete. Everyday poetry in shifting states: the oasis is just a few footsteps away from the sirens of the main street. What started out as a remix album - it is one - of its predecessor ‚Second Yard Botanicals‘ from 2018, took a few more turns. 18 trusted artists contributed to the 14 reinterpretations, as close or far from the originals as they wished. Without exception they all went for ‚far‘. While the listener can detect threads of Dub, Bass, Techno, Ambient, Contemporary Classical etc. throughout ‚Hofknicks‘, there is a relating air of contemplation floating throughout the pieces. Soaked with Frick’s broad instrumentation and frequent use of field recordings, multiple perspectives are knitted together on this sonic trip full of mirrors and echoes. Made possible by a small courtyard in Neukölln.

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