 Passionnant à plus d’un titre, ce très beau programme ne nous offre pas seulement l’occasion d’écouter deux excellents musiciens dans une configuration originale et d’une éloquente efficacité. Il nous permet également de plonger dans les délices d’un répertoire convoqué avec le plus grand soin. Outre l’irrésistible Sibelius qui ouvre l’ensemble, un Debussy en habits neufs et une sonate de Ravel peu souvent proposée (« C’est très joli d’écrire si difficile, mais vous ne serez joué que par des virtuoses !» confiaient ses créateurs au compositeur…), l’enregistrement n’offre que des inédits, tous bienvenus, qui nous font passer de l’animation à la méditation, au fil des mouvements de l’œuvre (Ravel) ou au cœur de la pièce en elle-même (Sollima etc.). On retiendra notamment de ce panorama très convaincant, les pénétrantes compositions de Vasks ou de Nisinman. Pour autant, une grande unité, pas seulement de timbres, traverse ce programme où, aux deux extrémités, la rythmique de la Ciaccona de Penderecki semble parfois anticiper les pièces de Piazzolla. Un bouquet de couleurs vives et de teintes plus délicates, proposant dans ses arômes des réminiscences de Pologne, de Hongrie, d’Argentine… ou de voyages plus intérieurs (Thérèse d’Avila). Un livret (en anglais) balise avantageusement la flânerie. (Alain Monnier) We are overjoyed to be presenting this new recording “Pas de deux”, with many new pieces by composer friends - it’s a project that’svery close to our hearts. The great Sonata by Ravel is in a way our kaleidoscope, a looking glass that takes us both back and forward in time, and bothof those simultaneously.Our journey begins with the slightest of pieces. ‘Raindrops’ is a charming vignette by the 10 year old Sibelius, whose love of nature would a decade orso later of course give us some of the greatest works in the symphonic repertoire.Deeply moved by the death of Pope John Paul II Penderecki in 2005 wrote the Ciaconna in memoriam Giovanni Paulo II Ciaconna, for stringorchestra. His transcription of the piece is a self-contained, independent artistic statement: subtle and virtuosic, filled with emotions of a genuinelyRomantic kind.The Interior Castle by Peteris Vasks was a text written by St. Teresa of Ávila, Spanish Carmelite nun and famed mystic, in 1577 as a guide for spiritualdevelopment through service and prayer. The work is conceived as a tryptich of pure, deeply felt, reverential music, interrupted my two frenetic,disturbing, dark passages. The love and belief conquers the dark forces.We asked our friend Craig White to arrange a Debussy piano prelude and he created for this disc this beautiful version of the 9th piano prelude ofBook 1.Sicilian cellist/composer Giovanni Sollima is one of the most colorful, eclectic, musical personalities of his generation. Heimat Terra: the title is basedon a beautiful text by the anthropologist Edgar Morin.Marcelo Nisinman is one of the great tango artists of our time, a brilliant bandoneon virtuoso and great friend as well as a uniquely personal, eclecticcomposer of music that is deeply infused by the world of tango but very aware of classical avant-gardistic writing.Marcelo Nisinman got to know Astor Piazzolla as a child, when Piazzolla and his quintet used to come to rehearse at his parents apartment in centralBuenos Aires. From Marcelo we heard many stories about Piazzolla, his passion for boxing and shark fishing, his motto ‘no risk, no life’ and his largerthan life personality. It seems fitting to end this record with three early ‘Parisian’ tangos that Piazzolla wrote while living in the city in the early 1950’s. (D. Rowland & M. Bogdanovic)
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