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Format : 1 CD Total Time : 01:10:28
Recording : 01/08/2014 Location : Brême Country : Allemagne Sound : Stereo
Label : AVI Music Catalog No. : AVI8553318 EAN : 4260085533183 Price Code : DM021A
Publishing Year : 2015 Release Date : 01/07/2015
Genre : Classical
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Wolfgang Amadeus Mozart (1756-1791)Quatuor à cordes n° 9 en la majeur, K. 169 Quatuor à cordes en la majeur, K. 464 Quatuor à cordes n° 22 en si bémol majeur, K. 589 Quatuor Armida
Martin Funda, violon Johanna Staemmler, violon Teresa Schwamm, alto Peter-Philipp Staemmler, violoncelle
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 Every string quartet dreams of having its own Mozart cycle: for its 10th anniversary in 2016, the Armida Quartet plans to perform all 23 works in public. The composer was part of each one of their lives long before the ensemble was formed. Playing in orchestras, in chamber music and in solo recitals, the Armida Quartet’s future members already got to know and love Mozart. In their complete Mozart series, the quartet will not be presenting the string quartets in chronological order. Instead, in each recital, they will place Mozart, the young Wunderkind, alongside the mature composer; the carefree creator alongside the brooding master. “We want to show how modern his thinking was for his time. Many people have a fixed image of Mozart in their minds, as a musician who painted an ideal world with beautiful melodies. But inside, he was burning, struggling, seeking”, as 2nd violinist Johanna Staemmler contends. Thus the Armida Quartet’s first Mozart CD features a selection of three works from different creative periods. Playing Mozart poses a challenge to any quartet. “On the one hand”, Funda remarks, “you have to play exactly what is written. But at the same time it has to sound as if it had just occurred to you. It’s as if Mozart had placed a grain of pepper after every note.” Staemmler adds: “It’s all in the musical gesture. The Mozart gesture is what is decisive, not just the way we breathe in and out together. We have to find our way back to both of them. Just when you think you know all of Mozart’s works, you place one of his quartets on the music stand to rehearse it together, and you discover it anew.”

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