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Monteverdi : Madrigaux, livres I et II. Le Nuove Musiche, Koetsveld.
Format : 2 CD
Total Time : 01:46:40

Recording : 2013-2015
Location : Velp
Country : Pays-Bas

Label : Brilliant
Catalog No. : BRIL94977
EAN : 5028421949772
Price Code : DM011A

Publishing Year : 2017
Release Date : 03/05/2017

Genre : Classical
Claudio Monteverdi (1567-1643)
Premier livre de Madrigaux à 5 voix
Ch'ami la vita mia nel tuo bel nome
Se per avervi ohimé donato il core
A che tormi il ben moi
Amor, per tua mercè vatten'a quella
Baci soavi e cari
Se pur non mi consenti
Filli cara et amata
Poi che del moi dolore
Almo divino raggio
Allora i pastor tutti
Se nel partir da voi, vita mia, sento
Tra mille fiamme e tra mille catene
usciam, ninfe, omai fuor di questi boschi
Questa ordi il laccio
La vaga pastorella
Amor, s'il tuo ferire
Donna, s'io miro voi giaccio divengo
Ardo, si, ma non t'amo
Ardi, si, ma non t'amo
Ardi o gela a tuar voglia
Arsi et alsi a mia voglia
Second livre de Madrigaux à 5 voix
Non si levava ancor l’alba novella
E dicea l'una sospirando allora
Bevea fillide mia
Dolcissimi legami
Non giacinti o narcisi
Intorno a due vermiglie
Non sono in queste rive
Tutte le bocche belle
Donna nel mio ritorno
Quell'ombra esser vorrei
S'andasse Amor a caccia
Mentre io miravo fiso
Se tu mi lassi, perfida
Ecco mormorar l'onde
La bocca onde l’asprissime parole
Dolcemente dormiva la mia Clori
Crudel, perchè mi fuggi ?
Questo specchio ti dono
Non mi è grave il morire
Ti spontò l'ali amor la donna mia
Cantai un tempo

Le Nuove Musiche
Jennifer van der Hart, soprano
Wendy Roobol, soprano
Hugo Naessens, alto
Falco van Loon, ténor
Joost van Velzen, ténor
Jasper Scheppe, baryton
Bas Ramselaar, basse
Krijn Koetsveld, direction

Le Nuove Musiche, led by acclaimed director Krijn Koetsveld, continue with their exceptional series of Claudio Monteverdi’s complete madrigals. Here, they look back to the very beginning of Monteverdi's works, when the young composer was still under the influence of his teacher Marc'Antonio Ingegneri. At this time, the madrigal was already a popular art form, one that Monteverdi was beginning to add his name to, before – as we know – he would go on to radically extend it with the introduction of the seconda prattica. These two books show that Monteverdi was an assured and dexterous composer in the established genre. He could follow the conventions of madrigal-writing – concentrating on the recitation of the text, adding in affects by altering the melody, rhythm and harmony – with skill and originality. Although he had to compete with other books already on the market, he was confident and ambitious – he dedicated his books to prominent patrons, and finally gained a royal appointment in Mantua shortly after the second book of madrigals was published. Le Nuove Musiche’s approach to Monteverdi is an innovative one: to bring the past into the present, keeping alive the questions of the Renaissance that still permeate our musical landscape today, while seeking to maintain the highest standards of performance authenticity. Their release of Books V & VI garnered excellent reviews, including five stars in the French magazine Diapason.

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