His fascination with Christian Morgenstern's (1871-1914) work inspired Meinrad Kneer, the initiator of this project, to start up anew collective named Phosphoros Ensemble. On one hand, Kneer's compositions are interpreted sensitively yet theatrically bysinger Almut Kühne and on the other hand, Uli PleÃ"Ymann's recitations, which are equally expressive as they are musical, areembedded in the collective improvisations of the ensemble. The unusual instrumentation of (bass-)clarinet, harp and doublebass, gives the writer's poems as well as the voices much space for development. Text and composition, improvisation andrecitation interlock and interweave to form a new whole.