 ...The works collected here, written for different orchestral settings, with or without voice, offer a certainly not exhaustive but solid and truthful image of the specificity of the figure of Matteo D’Amico on the contemporary compositional horizon: the ability and will to weld thought to musical matter, gesture to form, sound to sense. In his vast catalogue, it is always possible to find this trail, transmitted with firm persuasion and happy results. Like an identifying mark, an author’s scratch, an opening passage frequently recurs in his works that opens the curtain, only to then perhaps stop, look around, listen to the voices of his fellow travellers, and resume the journey: thus, immediately, in Le creature di Ade (The Creatures of Hades), a ‘concert ouverture’ composed in 2004 and dedicated to Daniele Gatti, who was its first conductor. The title alludes to The Creatures of Prometheus, Beethoven’s work written for a choreography by Salvatore Viganò. The darkness of Hades, the opening up of its abysses, the terror induced in those who cross it, a sense of fearful waiting that allows a more encouraging trace to filter through, the reemergence of the anguished expectation: the exemplary journey of instrumental theatre precedes the final twist, marked by a lively rhythmic charge, which in its sudden conclusion leaves one gasping for breath, while in the body of a classically structured orchestra the colours of the saxophone and the pressing variety of the percussion set emerge... (Sandro Cappelletto)
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