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Lento Religioso. Musique romantique pour violon et cordes. Amsterdam Sinfonietta, Thompson.
Format : 1 CD Digipack
Durée totale : 01:17:41

Enregistrement : 2014-2020
Lieu : Leiden/Amsterdam
Pays : Pays-Bas
Prise de son : Studio / Stereo

Label : Channel Classics
Référence : CCS36620
EAN : 0723385366201

Année d'édition : 2020
Date de sortie : 01/10/2020

Genre : Classique
Alban Berg (1885-1935)
Sonate, op. 1

Erich Wolfgang Korngold (1897-1957)
Lento Religioso, extrait de la "Sérénade Symphonique", op. 39

Anton Bruckner (1824-1896)
Adagio du Quintette à cordes, WAB 112

Frank Bridge (1879-1941)
Lament pour orchestre à cordes, H 117

Guillaume Lekeu (1870-1894)
Adagio pour quatuor d'orchestre

Richard Wagner (1813-1883)
Prélude de "Tristan & Isolde" (arr. A. Williams)

Richard Strauss (1864-1949)
Prélude du Caprice, op. 85

Franz Schreker (1878-1934)
Intermezzo pour orchestre à cordes, op. 8

Amsterdam Sinfonietta
Candida Thompson, violon, direction

The Serenades by Dvorák and Tchaikovsky, Schönberg’s Verklärte Nacht and the Bridge Variations by Britten: all these masterpieces from the corpus of music for string orchestra belong to the very nucleus of our repertoire. But in recent decades we have further enriched our genre by initiating commissions, presenting numerous premieres and having music specially arranged for us. And occasionally we have also discovered gems that are never played. On this album ‘Lento Religioso’ we bring together several romantic works, each with a very specific expressive power of its own. Some are genuine pieces for string ensemble, others are adaptations created for us. Some arrangements are simple: you play the four parts of a string quartet with all the strings of a string orchestra and have a nice bass part written, and a ‘new work’ is born. But it can also be a complicated process. In ‘translating’ a work written for piano or symphony orchestra, the arranger must make complex artistic and technical decisions. In any adaptation lies a danger, but also a potential; will the listener be disappointed in comparing it to his previous knowledge of the piece, or pleasantly surprised by new aspects presented by the arrangement? This tender, melancholy and languishing album is intended for the inquisitive listener. (Candida Thompson)

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