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Format : 1 CD Durée totale : 00:53:04
Enregistrement : 01/10/2020 Lieu : Belluno Pays : Italie Prise de son : Eglise / Stereo
Label : Tactus Référence : TC220002 EAN : 8007194107555 Code Prix : DM019A
Année d'édition : 2021 Date de sortie : 01/11/2021
Genre : Classique
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La légende de Victor et Couronne dans les codices médiévaux Vittore soldato martire Hic est vere martyr Adoremus Christum Beatus Victor dixit Sebastianus dixit Unde sacrifica Ego non sacrificoL’ira di Sebastiano, la mansuetudine di Vittore Iratus Sebastianus Haec mors non est mors Ad celi sublimia Sebastianus autem dux Praecepit duxDivina volontà e gratitudine santa Tunc iussit dux Gratias tibi ago Benedicite DeoMartire della gloria Iussit autem dux Domini est terra Gloria laus Pazienza, tenacia, amore sacrificale Tunc iussit dux acetum Christi patientia Tunc iussit dux suspendiLo strazio della croce, la forza della croce Deus excelse De la crudel Onne homo ad alta voceNascita in cielo Dixit dux Congaudeant catholiciVittore incoronato Beatissimus Victor Beatus es Victor Gratias tibi ago Misit Dominus angelum sum Beatus Victor orabat In caminum ardentem Sancte Victor martyrNel segno della croce Crux forma Cruci Domini Portare
InUnum Ensemble
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 The recording of “La Leggenda di Vittore e Corona” focuses on themusical-liturgical repertoire that the ancient Venetian medieval tradition named after the two proto-martyrs. The source (Antifonario Marciano, Archivio di Stato di Venezia, 14th century) sings in the form of the minor liturgy of the Vespers the different moments of the Passio involving Vittore until he joined Corona in the martyrdom, reaching eternal glory. Far from representing only a local cult, the legend of Vittore and Corona is fully part of the history of Christianity and, in particular, of the defenseless yet determined struggle for the freedom of faith, thought and conscience. The style between the Gregorian and the Aquileian rite of the Marcian vespers (first performance in modern times) is very well accompanied by that of the polyphonic pieces taken from European codes of the same period, underlining the salient moments of the legend; the original alternation of the voices and medieval instruments between concordant monody and polyphonic dialogue connotes the performance of the InUnum Ensemble enhancing the narrative.

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